Word: stagecraft
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Dates: during 1920-1929
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Time passed; there seemed little hope that the 47 Workshop was going to have the facilities which the advantages of modern stagecraft afford. Then came the calm at one of the least hopeful moments in the storm. Professor Baker had accepted, now that Harvard would not or could not furnish him with an equipment, an extremely generous offer from Yale. The funds and plans were arranged: Yale, Mr. Harkness and Professor Baker had announced their mutual willingnes to cooperate in a plan which for almost fourteen years had been the hope and goal of many American people--devotees...
...paid minions of Art rendered notable homage to Max Reinhardt's genius of appearing gratis at the operas, concerts, recitals of his festival. Not only was Everyman played tut Turandot and Ariadne were sung. The towseled German Jew who with Gordon Craig laid the foundations of the new stagecraft triumphed last week at a festival which was recently an innovation (TIME, Aug. 24, 1925) but has become a tradition today...
...grinding crash is heard; the lights shudder, become fixed. For a moment only, the moon escapes from heavy clouds to shine on the face of Don Juan* as he leaps overboard to swim ashore. There is dialog in the scene also, but it is negligible. A triumph of stagecraft has been achieved with a few lights and a howling siren. A poet's art is applied to mechanism...
Then there is the Grand Guignol-the theatre of one-act playlets of horror and somewhat ribald mirth. No American visit to Paris is quite complete without one seance at the Grand Guignol. The Vieux Colombie-a highly original repertory company of experimentalists in the new stagecraft-should furnish you with several delightful evenings, even if you understand as little French as most New York theatrical critics do Russian. The Guitrys whatever they are acting in, individually or collectively, are worth observation. The Pitoeff company playing at the Comedie Champs Elysees, in The Lower Depths, Androcles and the Lion...
Opening today and remaining for only a short time there will be shown in the Lecture Room of the Fogg Museum an exhibition of the art of stagecraft arranged by Miss Eva Purdy of the Detroit Art Museum. The exhibition is under the auspices of the 47 Workshop and will be open during the afternoon only from 1-5 o'clock...