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...playing a black soldier in Ben Stiller's raucous satire of filmmaking and war movies, Tropic Thunder. And in the fall comes another plum role, as a journalist who discovers a schizophrenic Juilliard violinist (Jamie Foxx) living on the streets of Los Angeles in Joe Wright's drama The Soloist. Downey's career feels a lot more than six years removed from 2002, when Woody Allen said he couldn't afford to cast the unstable actor in Melinda and Melinda because it cost too much to insure...

Author: /time Magazine | Title: Robert Downey Jr.: Back from the Brink | 4/16/2008 | See Source »

...Aztlan to the bright orange and white worn by Harvard Bhangra. When Mariachi Veritas de Harvard, a traditional Mexican Mariachi band, took to the stage, I couldn’t help but share in the excitement of a fellow bench mate, who inadvertently registered amazement as the male soloist began singing in a surprisingly bass voice. Although the songs were in a foreign language, the emotion in the soloists’ voices enveloped the audience in the universality of music.A similar contagion spread during the performance of the Kuumba Singers, a large-scale choir that explores the musical tradition...

Author: By Tiffany Chi, CONTRIBUTING WRITER | Title: Dancing to the 'Cultural Rhythms' | 3/7/2008 | See Source »

...rough-hewn lessons of his father, who was known to beat him when he hit a wrong note, but Canadian Oscar Peterson's technical skills were only part of his genius. Peterson, whom Duke Ellington called the Maharaja of the Keyboard, took the piano to new heights as soloist; sideman (for Ella Fitzgerald and Dizzy Gillespie); composer; and leader of the Oscar Peterson Trio, which some call jazz's finest. He could hold back, then rip down the keyboard at lightning speed; he was a hard-swinging, dizzying improvisor on technically and creatively stunning works like Canadiana Suite and Blues...

Author: /time Magazine | Title: Milestones | 1/3/2008 | See Source »

...seemed more like a drunken Zeus after a rough-and-tumble night with Hera. “Lamentation” was the defining piece of the evening. Although the program describes “Lamentation” as a general “dance of sorrows,” soloist Dakin’s interpretation of Martha Graham’s original 1930 choreography and costumes seemed to allude to the struggles of Arab women trapped within the cultural rigidity of the burqa. As she futilely tried to escape a suffocating purple cloth, Dakin stayed within a constrained circle, making...

Author: By Prateek Kumar, CONTRIBUTING WRITER | Title: Dakin Shines in ‘Dancing Caprices’ | 12/10/2007 | See Source »

...second concert of its bicentennial season, the Harvard-Radcliffe Orchestra (HRO) delivered another strong performance under the baton of Dr. James Yannatos. The concert featured one of the most memorable solo performances of the year: soloist Bong Ihn Koh ’08, Harvard’s internationally renowned cellist, in his first appearance as part of the orchestra...

Author: By Victoria D. Sung, CRIMSON STAFF WRITER | Title: Koh Is a Standout In HRO Concert | 12/3/2007 | See Source »

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