Word: slapstick
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...this is a comedy, similar in slapstick tone and comic asides to the Naked Gun movies. And like the police detective played there by Leslie Nielsen, Malone is a guy whose blithe stupidity brings physical harm to those around him - an idiot cocooned in delusion. It happens that Malone's story is narrated by Leslie Nielsen, playing an amiable but slightly loony oldster. So it's possible to take the whole movie as a parody of right-wingers' views of left-wingers...
...What was all the fuss about? An hour-long raunch fest that was part slapstick comedy, part carnal carnival: it's a burlesque routine (Reems as a doctor, wisecracking like Groucho Marx) wrapped around a sideshow freak stunt (Lovelace's bedroom trick of controlling her gag reflex so she could perform glottal fellatio - a glo-job). "You had to be there," he said in Inside Deep Throat. "I'm thrilled that I was there. And I thank God I had a camera." Damiano gave this movie the tone of a mildly bright comedy, with an underscoring full of broadly ironic...
...longer a shock to discover that celebrities sometimes seek a little polish for their memoirs. And in this case, well, let's cut a chimp some slack here: Cheeta's screen career, which stretched right up to 1967 (Dr. Dolittle), called for a mastery of physical performance - mime, slapstick, acro- and aerobatics - not of stage English. Even his leading man, Tarzan, rarely ventured much beyond "Aaaheeyaaheeyaheeyaheeyah" or "Jane not worry." Now though, at the age of 76, and living out the last of his days in a Palm Springs sanctuary, Cheeta has found the voice to match his remarkable story...
...with the consequences arising from humanity’s underlying intolerance and prejudice, Albee’s success stems from his ability to exaggerate the dramatic quality to comic proportions. To achieve that paradoxical effect of hilarity juxtaposed against a morbid backdrop, Albee utilized wordplay, black humor, and even slapstick to counter the mounting tension between the characters as the action progresses to its catastrophic climax. It was precisely this dichotomy that drew director Davida Fernandez-Barkan ’11 to “The Goat...
...none of the skills. One sequence, the movie's lamest, is either a demonstration of this theory or an undercutting commentary on it. As they stagger through the woods searching for a cell phone Saul has tossed away, Rogen and Franco take a stab at a slapstick routine but possess neither the precision nor the physical resilience to make it funny. (Nor the luck: Franco needed three stitches after he bumped into a tree.) The actors flounder like two Stooges in desperate need of a third...