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Executive Producer and writer for the hit show “Lost,” A. Carlton Cuse ’81 took a break from writing the show??s finale for an event almost as anxiously anticipated—his interview with FM. Cuse let us in on a few “Lost” secrets as we talked about making it in Hollywood, running Primal Scream, and locating Harvard’s Dharma Initiative station...
This production will also be making some adaptations to the set design from the original script, presenting the play on a tiered set to emphasize the familial divisions that define the show??s central conflict. The audience will be seated on three sides of the stage, creating a more intimate setting. “I really want it to feel very immediate to people because these are very immediate and personal issues,” Feldman says...
Joseph J. Vitti ‘10, who has let it all hang out for the show??s intermission show for three years now, said that Tuesday’s performance left him a bit more exposed than those in the past. Although the lights were supposed to shut off a second after his boxers were torn off, they stayed on a couple seconds too long, enough time for the audience to take everything...
While overall the show??s dialogue remains rather predictable and plain, a brief scene between Zazu and Scar allows time for the exchange of a few clever remarks. As a depressed Scar complains about his now famine-and-disease plagued kingdom, he moans, “I feel so empty,” to which the disdainful Zazu quips, “You’re a regular Ennui the Eighth, sire.” Later in the same scene, when Scar tries to rally himself by insisting, “I need to buck...
Ultimately, however, even the show??s somewhat lagging pace and occasionally less-than-stellar acting can’t detract from the overall sense of magic and spectacle created by the work. “The Lion King” provides the perfect mid-winter retreat to sunny Africa, offering a lush and immersive musical escape to the color and fantasy of an exotic land. —Staff writer...