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Word: shakespearean (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Spence Taylor and Herb Larsen provide comic relief to comic relief in the Shakespearean characters of Henry, an aging, vain, forgettable actor and his companion Mortimer, whose specialty is spectacularly acrobatic feigned death. They are hilarious in their early scenes, and successfully make the transformation to guileful roughnecks in the second...

Author: By Harry W. Printz, | Title: Kirkland to Enterprise | 11/2/1977 | See Source »

...play to honor their sovereign's wedding. He cast them as journeymen actors arduously bent on not missing a cue while botching up a scene. With their comic earthiness, they very nearly steal the show. As for lofty gravity and the true melodic rendering of the Shakespearean line, Maggie Smith is one of the sweetest singers this side of Avon...

Author: /time Magazine | Title: The Theater: Stratford's Reunion with the Classics | 6/20/1977 | See Source »

Born. To Diana Rigg, 38, auburn-haired Shakespearean actress best known as the karate-chopping counterspy in TV's The Avengers, and Archie Stirling, 35, a businessman and her companion for a year: their first child, a girl; in London...

Author: /time Magazine | Title: Milestones, Jun. 13, 1977 | 6/13/1977 | See Source »

...Gentlemen of Verona has seldom figured prominently or popularly in the Shakespearean repertory. With the exception of the rube Launce, its characters aren't particularly distinctive, and a false resolution awkwardly forestalls a more probable and good-humored one. But the play's unevenness worked in favor of this musical adaptation. The writers deleted and redistributed Shakespeare's lines, sharing the eloquence more equably and getting things done with less dalliance. Guare heightened the farce and added intrigue to personalities by setting each character to a modern musical rhythm with lyrics to match, in idioms such as Motown, salsa...

Author: By Anemona Hartocollis, | Title: Cuanto Me Gusta | 5/11/1977 | See Source »

...times he comes on to himself a little bit too strongly, wiping out the supporting cast through sheer force of neglect. But he displays admirable versatility, tripping with facility from the Spanish pronunciation and non-verbal cries of his Puerto Rican phrases to the controlled and conversational command of Shakespearean verse...

Author: By Anemona Hartocollis, | Title: Cuanto Me Gusta | 5/11/1977 | See Source »

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