Word: self
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Dates: during 1950-1959
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Amen's other self, the darker and deeper one, is best revealed by the large, dramatic print of Adam. In contrast to Michelangelo's noble idealization, this First Man is conceived as a brute. Above his diminutive head, which is dominated by a circle of teeth and a single, piggish eye, he raises a jagged sword. His free hand, meanwhile, hangs ape-like to his knees. Defined in bold line against a blank background, Adam makes a powerful and impressive figure...
...mousy English country-house play, with the sound of one more reminiscent and easily resolvable tune. But it becomes increasingly cat-and-mousy, with a tune that introduces subtle dissonances, ominous themes, crashing chords. The Harrington family is slightly non-U and wholly nonunified. Father (Roland Culver) is a self-made furniture manufacturer, all the more defensively crass and philistine because of his contemptuously snobbish, culture-climbing wife (Jessica Tandy) and his contemptuous, muddled mamma's lap dog of a son (Brian Bedford...
...Henry Fonda a wife in a mental sanitarium up the hill-they come together out of loneliness, are at first trivially autobiographical, then more and more confidingly so. They have a drink with newlyweds, look back on marriage that has come to grief, resist pity and show twinges of self-pity, talk of love and resist sex. The woman, it turns out, has an unfaithful husband; the man has a wife he played a part in driving insane. In the end after they have made love, she goes back to her husband and he has a flicker of hope...
...garment center that U.S. manufacturers and labor unions now want restrictions on cotton exports to the U.S. Last week Industry Leader C. C. Lee was again hard at work. His association of the most poweful exporters to the U.S. was working out a plan to diversify, set up self-imposed export quotas that will satisfy...
Like this analysis, "reigning and radical existentialism" is an "invitation to construction," for the existentialist not only ignores the "transcendent dimension," but also"performs the more amazing feat of ignoring the actual historical dimension of self...