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Where the movie does falls short, however, is in its often confusing and poorly-written script. Among the antics, the movie seems to lose its focus on the reason why the family is gathered in the first place—a funeral. Instead, the actors get lost in the numerous subplots which, though funny, often seem excessively tangential. A gay midget, a high boyfriend, a stubborn ex, and a financially irresponsible brother dominate the plot throughout, and while in some ways the circuitous nature of the film is intentional, one can’t help but picture the actors...
Creative control over unfinished work is usually given to the artist’s family or friends—as is the case with Kubrick, whose son-in-law, Philip Hobbs, is pursuing the production of “Lunatic.” Though such people seem more likely than others to know the author’s wishes, too frequently they don’t seem to care. Allowing the director’s relatives to make decisions about the cast and crew is a crapshoot in terms of quality. Shared genes do not endow one with any sort...
...discuss films like this in terms of artistic intent? But as compelling as unfinished works are as case studies, they often amount to significant violence upon a filmmaker’s oeuvre. Instead of being remembered as prolific, successful, and complete, Kubrick’s career will seem to trail off, leaving behind a collection of troubling uncertainties that will hover over his work long after “Lunatic at Large” has wrapped...
...pirates’ unorthodox love for the Queen is by no means the only paradox “The Pirates of Penzance” presents; in fact, Gilbert and Sullivan seem to have delighted in irony. The plot rests on an absurdity built into the contract of Pirate Apprentice Frederic (Benjamin J. Nelson ’11), whose nurse signed him up to serve as a pirate not for 21 years but for 21 birthdays—an unfortunate choice of terms considering that Frederic was born on February 29, which means that at age 21 he?...
Despite his situation, Frederic sings of his love for a good paradox, and the Harvard-Radcliffe Gilbert & Sullivan Players (HRG&SP) seem to share that affection. And, ultimately, it’s the way the Players handle these paradoxes with earnest delight and abundant charm that makes “The Pirates of Penzance” so irresistibly enjoyable...