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...level of intensity which constantly verges on madness. Revealing this intensity is the writer's chief creative strength; artificially manipulating it, her weakness. Many of the stories, which are taut with psychological and surrealistic innuendo, still depend on violent melodrama for their activation. The story "Bodies," about a young sculptress plagued by a series of Dadaesque dreams, reaches a grotesque climax when a man slashes his throat in front of her, twists himself around her hips, splashing her with blood. As the story ends, the woman fears the suicide's blood has impregnated...

Author: By Elizabeth R. Fishel, | Title: Books The Wheel of Love and Other Stories | 12/8/1970 | See Source »

...Chicago Art Institute, Beal builds his compositions as carefully as any Abstractionist-and the sofa or chair in his pictures is as important as the figures. He lives five months of the year at a farm on Black Lake in the St. Lawrence River valley. He poses his sculptress wife or a model nude on soft, contoured upholstery because they are more comfortable that way, and occasionally, he incorporates the softly rolling contours of hills seen through a window because "I guess I'm trying to say how much they're all alike, chairs and women and hills...

Author: /time Magazine | Title: Painting: Unphotography | 4/11/1969 | See Source »

Married. John Lennon, 28, brainiest Beatle; and Yoko Ono, 36, Japanese sculptress and his steady companion for the past year; he for the second time, she for the third; in Gibraltar...

Author: /time Magazine | Title: Milestones: Mar. 28, 1969 | 3/28/1969 | See Source »

...father owned a saloon that stank of liquor, vomit and urine. Her mother did the cooking there and never had time for reading bedtime stories. That is how Sculptress June Leaf, 39, chooses to remember her childhood on Chicago's West Side. With such a past, it is not surprising that her artistic heroes are Hogarth, Klee and Ensor, or that she has learned, from the hippies she says, "to see the kaleidoscopic side of life and the mind...

Author: /time Magazine | Title: Sculpture: Carnival of Grotesques | 1/10/1969 | See Source »

There are other signs that the costume look may get out of hand. Sculptress Marisol finds the speed with which costumes change puzzling and hard to keep up with. Ex-Model Wilhelmina worries because "I want to be a lady in the long run, not a teen-ager." Alexander's high-powered Fashion Director Francine Farkas, who is responsible for the store's considerable success in selling young people on the new way of dressing, nevertheless thinks that it can lead to "uniformed individuality," meaning that the combination of wide-legged pants, vests and chains has been overworked...

Author: /time Magazine | Title: Fashion: Instant Originals | 10/25/1968 | See Source »

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