Word: sculptors
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...some 70 artists from 23 countries stretching from Morocco to Mozambique. The "remix" concept?blending old and new, sacred and mundane?is an apt metaphor for contemporary African art. Ghanaian artist El Anatsui makes a dazzling metal cloth, reminiscent of ceremonial fabrics, from thousands of aluminum bottle tops. Mozambican sculptor Gon?alo Mabunda domesticates assault rifles and other weapons by transforming them into furniture. In Le Monde Vomissant (The Vomiting World), Democratic Republic of Congo painter Ch?ri Samba depicts a starving globe throwing up the American continents, some guns and a tank. Romuald Hazoum? from Benin stacks dozens of decorated plastic...
...remix" concept - blending old and new, sacred and mundane - is an apt metaphor for contemporary African art. Ghanaian artist El Anatsui makes a dazzling metal cloth, reminiscent of ceremonial fabrics, from thousands of aluminum bottle tops. Mozambican sculptor Gonçalo Mabunda domesticates assault rifles and other weapons by transforming them into furniture. In Le Monde Vomissant (The Vomiting World), Democratic Republic of Congo painter Chéri Samba depicts a starving globe throwing up the Loh and Behold Avant-garde murals and imaginative furnishings characterise a new Singapore hotel Identity Parade An iconic style magazine marks its quarter century...
DIED. FRITZ SCHOLDER, 67, Expressionist painter and sculptor best known for bringing a fresh eye to so-called Indian art in the 1960s and '70s; of complications from diabetes; in Scottsdale, Ariz. One-quarter Native American, he initially refused to paint Indians, saying he hated the usual sentimental images of them as noble savages. In 1967, vowing to depict "real, not red," he changed his mind. His "Indian" series included the still striking rendering of a Native American man wrapped in an American flag, based on 19th century prison photographs of Indians dressed in surplus flags after their tribal regalia...
...journey from business executive to sculptor was similar to the transition she made in 1980 after 17 years of staying home with the kids. Back then, aptitude tests revealed that she would make a perfect engineer, and she plunged back into school for a degree in computer science at age 40. With degree in hand, she began a high-tech career that included stops at Digital, Apple and IBM. This time, however, she didn't need someone to tell her what she was interested in. While at IBM, Dibner started taking sculpture classes, riding the T to Boston's Museum...
...basement took some getting used to. "You work so hard to get yourself where you are, and a part of your identity is the title," Dibner says candidly. "Sometimes I'll be somewhere now, and somebody will say, 'What do you do?' and I'll say, 'I'm a sculptor,' and they'll say, 'Oh, that's nice,' like they think it's a hobby, not something meaningful and serious...