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...space of a single seven-day period in mid-January, I paid a final visit to an exhibition of Seurat's drawings at the Museum of Modern Art, took two children there the next day to see a show by the sculptor Martin Puryear, attended the opening night of Wagner's Die Walkure at the Metropolitan Opera, caught a couple of movies, including an old Robert Mitchum vehicle at an Otto Preminger film festival, and scored tickets to the revival of Harold Pinter's The Homecoming on Broadway. (Long Pinteresque pause here.) On the seventh day I rested...

Author: /time Magazine | Title: Culture Club | 1/17/2008 | See Source »

...three-part reclining figures, like Reclining Figure: Arch Leg from 1969, with its complicated balance of volume and void, are proof that Moore's gift for forceful, enigmatic forms didn't entirely desert him even in the '60s. He was the opposite of a Baroque sculptor. No corkscrewing flights of form for him. His default mode was a block volume as static and weighty as a desert mesa, or as the reclining Chacmool figures of pre-Columbian art that were another of his early inspirations. But by dividing a figure into two or three separate parts, an approach he started...

Author: /time Magazine | Title: Making the Most of Henry Moore | 1/2/2008 | See Source »

...LACMA, he has involved artists wherever possible. Sculptor Jorge Pardo is designing a reinstallation of the museum's pre-Columbian collection, while Govan and senior curator of modern art Stephanie Barron invited artist Baldessari to install last year's René Magritte and Contemporary Art show. Baldessari came up with a ceiling image of intersecting freeways and a carpet of sky and clouds. "Usually artists can't be compensated at market level for their time," observes Barron, "but Michael got Lexus to underwrite the installation. Michael's passion for art is infectious...

Author: /time Magazine | Title: Thinking Out Of the Box | 11/19/2007 | See Source »

While he expresses particular interest in Latin America and Asia, given LACMA'S West Coast location, the museum has also recently made important acquisitions of work by such masters as 17th century painter Pietro da Cortona, early 20th century artist George Bellows and contemporary sculptor Richard Serra. Govan's notion of collecting iconic houses by such architects as R.M. Schindler, Richard Neutra and Frank Gehry remains under discussion, but Govan concedes it may not be realistic to expect such big-ticket donations. He seeks to preserve them, he says, but indicates as much interest in initiating the idea...

Author: /time Magazine | Title: Thinking Out Of the Box | 11/19/2007 | See Source »

Artists come to a career in art with all kinds of life experience on their résumés. Sometimes it's even pertinent. It makes perfect sense that Andy Warhol started out as an advertising illustrator. Or that the welded-steel sculptor David Smith spent time on an auto assembly line. With the Danish artist Olafur Eliasson, it's not so easy at first to connect what he does now-create works that invite you to play with fields of colored light or with lenses and mirrors or with your own understandings of how you see-with what...

Author: /time Magazine | Title: Meet Your Maker | 10/4/2007 | See Source »

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