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Word: screening (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

LONDON, 1893. Giggling, sashaying, more than a little drunk, a prostitute makes arrangements with a gentleman off-screen. At his request, she moves into an alley, lifts her petticoats, and purrs, "What's your name, dearie...

Author: By Troy Segal, | Title: A Ripping Good Time | 10/11/1979 | See Source »

...throwing and macing and sneering, perhaps because a number of reporters were among the victims. You watch the black-and-white set on the Santasoucci's front lawn, and you cheer and hiss at the right moments and make appropriately snide comments, and when the Pope comes on the screen you leave...

Author: By William E. Mckibben, | Title: A Weekend at Seabrook | 10/10/1979 | See Source »

...emotions to visual and aural dynamics. If, as in Sweeney Todd, he has tossed away the key to the human heart, he is a master strategist of the stage. He deploys his acting troupes with brilliant precision at a crackling tempo. It is Prince, aided by a huge gray screen whose cyclopean eye brims with historic film clips, who hurls the dramatic thunderbolts of the evening. In two scenes of mass turbulence, with banners flying and the crowd in a hypnotic roar, Perón and Eva turn their microphones into rhetorical firebrands, and Prince engulfs play ers and playgoers...

Author: /time Magazine | Title: Theater: Vogue of the Age: Carrion Chic | 10/8/1979 | See Source »

DIED. John Cromwell, 91, stage and screen actor, director and producer for more than 70 years; of a blood clot in the lung; in Santa Barbara, Calif. Lured from Broadway to Hollywood in 1928, he directed Tom Sawyer, Of Human Bondage and Algiers. A founder of the Screen Directors' Guild, Cromwell was hounded out of Hollywood in the early '50s for his pro-labor leanings. Last year he reappeared on the screen in Robert Altman's A Wedding...

Author: /time Magazine | Title: Milestones, Oct. 8, 1979 | 10/8/1979 | See Source »

...coffee-maker against the t-shirt display on the art deco wall. However this reaction isn't entirely the fault of the Welles, which I believe was named the Real Paper's Most Smug Theater of 1976. I learned to fear so-called "art films" and the theaters that screen them at a very early age, when I was dragged to a seedy little known theater in Detroit to see a "beautiful and sensitive film" and enrich my culturally deprived life. This place was formerly a neighborhood show that had been forced out of business by television, but with foresight...

Author: By Sarah M. Mcgillis, | Title: Truth and Beauty | 10/4/1979 | See Source »

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