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...with the plan was an Anglican priest turned traveling evangelical preacher named John Nelson Darby, who arrived in the U.S. in 1862 for the first of seven visits, bearing a radical new eschatology. Darby and minister Cyrus Scofield, who would expand the evangelist's ideas in the vastly influential Scofield Reference Bible, divided God's relationship with man into seven ages (the current sixth began with the death of Christ). Their vision grimly upended the previous wisdom. Far from getting ever better, things on earth would progressively worsen, until the Antichrist, also known as the Beast, arose. A seven-year...

Author: /time Magazine | Title: The End: How It Got That Way | 7/1/2002 | See Source »

...post-Civil War decades American Evangelicals seized on Darby like a life preserver. At the time of the Scofield Bible's publication in 1909, they were establishing a set of "fundamentals," which included painstaking interpretations of Scripture. Darby's scheme became a pillar of the new Fundamentalism. (The Scofield Bible can still be found in churches across the country.) When Fundamentalism was humiliated and marginalized after the Scopes "monkey trial" in 1925, it merely confirmed for Evangelicals the Darbyite assumption that the world was getting progressively more wicked--beyond any help but the conversion of new souls to Christ...

Author: /time Magazine | Title: The End: How It Got That Way | 7/1/2002 | See Source »

...John Scofield Band...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITERS | Title: New Music | 2/1/2002 | See Source »

...John Scofield wants his audience to know that [despite evocative tune titles] he has not used drugs or alcohol since 11 July 1998” read the liner notes to the jazz guitarist’s Überjam—an appropriate admission since the album has all the trappings of an experimental drug-fueled trip. With Hindu-themed artwork, haunting strains of sitars and a profusion of distorted, screeching guitars, Scofield’s latest jazz-funk fusion feels much like an experimental album from the ’70s when Miles Davis brought fusion into popular consciousness...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITERS | Title: New Music | 2/1/2002 | See Source »

...never seems like eclecticism for its own sake. Amidst the cacophony, Scofield is still the most important element; with rhythmic onus shifted elsewhere, he’s given considerable freedom to improvise. His playing emerges cleanly from the mix and runs fast, daring and wide, forging a raw sound that’s simultaneously unsettling and engrossing. But his best moments, as in “Ideofunk” and “Tomorrow Land,” are when he slows down his fingers and mellows his sentiments. Eclectic as the day is long and with virtuosity to spare...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITERS | Title: New Music | 2/1/2002 | See Source »

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