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Recent Harvard graduates Larissa D. Koch ’08 and Claudia F. Schreier ’09, both of whom are currently pursuing careers as professional choreographers, are returning to stage two pieces for “Momentum.” Schreier??s work will feature live piano accompaniment and inventive costuming. In a similarly unique fashion, Koch—who performed with HBC throughout her undergraduate career and currently directs her own dance company—has collaborated with electroacoustic specialist and Harvard Music Professor Hans Tutschku to create a piece tailored to Tutschku?...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...Swan Lake” clichés. It was an entirely pointless moment of slapstick comedy that needlessly cheapened the previous half. “Contra Finem” was the first actual performance of the second half. Set to a live cello Brahms piece, Schreier??s modern choreography was complex, compelling, and absolutely stunning. The dancers lived up to the difficult choreography with a beautiful blend of angularity and fluidity.This group piece rivaled “Suffered Silence,” a solo choreographed and performed by Merritt A. Moore ’10, for the best...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: Highs, Lows Mark ‘Wings’ Ballet | 5/5/2008 | See Source »

...able to watch him in the studio, creating his works from the beginning to end,” she says. “I became fascinated by his works and choreographic processes.” She believes that such exposure to other choreographers helps her extend her own works. Schreier??s evolution is visible in many of the pieces she has choreographed, one of which was selected this year for the American College Dance Festival Gala performance, an experience she describes as wonderful. “It gives you a sense of accomplishment, that you have this body...

Author: By Kerry A. Goodenow, CONTRIBUTING WRITER | Title: Claudia F. Schreier ’08 | 4/29/2008 | See Source »

...Elysium,” choreographed by Claudia F. Schreier ’08, was, by far, the best piece of the night. Schreier??s choreography struck the ideal balance between the abstraction typical of modern dance and the visual appeal of classical ballet. The best moments of her exquisite choreography featured not only the usual leaps and turns but also interesting new movements, like dragged splits. She worked with the most talented HBC members: Lynch, Moore, Shee, Walker, and James C. Fuller ’10. Walker shone the brightest, but all five brought Schreier?...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: Standout Solos Make ‘Modern Muses’ Mesmerizing | 12/16/2007 | See Source »

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