Word: satirists
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...Bill Maher says Carlin was the comic who "inspired me to think I could do things differently." Richard Belzer marvels over the "precision" of his technique. Lewis Black, perhaps Carlin's most obvious heir as an angry social satirist, says he "raised the level of our craft." Garry Shandling recalls how, as a young student at the University of Arizona, he accosted Carlin before a club date, showed him some jokes he had written, and got the encouragement that prompted him to get into comedy. After showing the full-length clip of Carlin's "Ode to a Modern...
...satirist of the social uses and misuses of language, Carlin might have had fun with these cliché-ridden TV lovefests too. But he would have had a tough time putting down this one. It's the heartfelt but hard-headed tribute he always deserved...
...Ritchie has a portraitist-satirist's gift for creating supporting characters that's almost in the league of Preston Sturges, the pinwheeling comic genius of 1940s Hollywood. Now if only he could duplicate Sturges' range of milieux, from high society (The Lady Eve, The Palm Beach Story) to chicanerous politics (The Great McGinty) to the working class in big cities (Christmas in July) and small towns (The Miracle of Morgan's Creek, Hail the Conquering Hero). If appreciation for RockNRolla's entertainment abundance is freighted with disappointment, it's partly because Ritchie's early work has been elaborated...
...still hanging on to Kashmir if the Kashmiris don't want to have anything to do with us?" wrote columnist Vir Sanghvi in the Hindustan Times. "Is it time the K-word got out of India, and India out of the K-word?" asked political satirist Jug Suraiya in the Times of India. Novelist Arundhati Roy argued that "India needs azadi from Kashmir just as much - if not more - than Kashmir needs azadi from India...
...master of sprung rhythm, he could pack a half-dozen insights into a 100-word sentence on Chuck Jones and the Warner cartoon crew - "Despite the various positions on humor (Tex Avery is a visual surrealist proving nothing is permanent, McKimson is a show-biz satirist with throw-away gags and celebrity spoofs, Friz Freleng is the least contorting, while Jones's specialty, comic character, is unusual for the chopping-up of motion and the surreal imposition: a Robin Hood duck, whose flattened beak springs out with each repeated faux pas as a reminder of the importance of his primary...