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Word: santana (lookup in dictionary) (lookup stats)
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None of Andy Williams' buddies hang out much anymore at the skateboard park near Santana High School in Santee, Calif. "Things are a lot different this year," says Sarah Ormsby, 15, a sophomore. "People still talk about him and the incident, but we're a lot better now. We get in trouble now for stuff we wouldn't have before. There's a closer watch...

Author: /time Magazine | Title: How Bad A Boy? | 12/31/2001 | See Source »

Veteran strummer Carlos Santana drives “Whatever Happens” with a guitar solo that is by turns calm and edgy. Similarly, the final track, “Threatened,” benefits greatly by the presence of a guest star in the form of the late Rod Serling. Audio snippets from the CBS archive are mixed and matched to the beat in this “Thriller” redux. Despite the audio special effects and lyrics that evoke occult fantastical nightmares, Jackson’s past hits will hardly feel “Threatened...

Author: By Marcus L. Wang, CRIMSON STAFF WRITER | Title: The King of Pop Returns | 11/9/2001 | See Source »

Richie Valens hit it big with La Bamba in 1959. The music industry didn't wholeheartedly embrace another Latin rocker until Santana's autumnal success...

Author: /time Magazine | Title: Music Goes Global | 9/15/2001 | See Source »

...Cooder and others have all paid tribute to Hooker, in songs, in print, in spirit. The poet Langston Hughes once lamented that "they've taken my blues and gone." Not with Hooker. He played duets with Van Morrison, with Bonnie Raitt, with Keith Richards, with Los Lobos and Santana. He made sure to be seen alongside the new, more popular artists who had borrowed from his work. If you wanted to take Hooker's blues, you had to take Hooker with...

Author: /time Magazine | Title: John Lee Hooker: He Paid His Dues | 6/22/2001 | See Source »

...swing dancing to Duke Ellington after Tchaikovsky into a successful and entertaining combination. Another example of this experimental effort could be seen in Kathy E. Crewe’s ’00 tenuous but intriguing “El Ritmo,” a tap dance to the Santana hit by the same name. The dancers let the rhythm flow through them, and were the focus of the concert. The piece did not use props or sets and instead used only a backdrop and lights. Through the complex lighting and the vivid costumes, the dancers filled the empty space...

Author: By Theresa A. Botello, CONTRIBUTING WRITER | Title: Dance Viewpointe | 4/13/2001 | See Source »

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