Word: rosenberg
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Dates: during 1930-1939
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Hitler, Goebbels and Alfred Rosenberg (Naziland's cultural Fuhrer) have long looked for a literary renaissance in Germany. They shout their complete confidence that one is on the way. Nazi Cultural Pundit Wilfred Bade declares: "The new Germany must have authors; but we need not be afraid that they will not appear...
...Paris last week, at the Galerie Paul Rosenberg in the fashionable Rue La Boétie, 33 small oils-on-canvas were making the art news of the season. With one exception they were still-lifes of candles and flowers, fruits and mandolins, pitchers and bird cages, ox skulls and oil lamps, knives, forks figurines and doves. Had these objects been painted with the luscious realism of a soup advertisement, the pictures would not have been at Rosenberg's, nor would they have interested any of the people there. Yet if there was one thing these doodles, lozenges, swabs...
...name of Picasso has been a symbol of irresponsibility to the old, of audacity to the young. To millions of solid citizens it has been one of the two things they know about modern art- the other being that they don't like it. But the show a Rosenberg's had a new significance, because it came at the full tide of a new period both in Picasso's work and in appreciation...
...that from his early days Picasso has hated to let any of his pictures go. "No painting is ever finished" is one of his gloomy sayings, and it is true that his studio and his chateau are jammed full of canvases which he will not sell. Even so, Dealers Rosenberg, et al., have occasionally been so hard put to it to keep from being flooded with Picassos that a wit once suggested, as a solution, a tie-up with the Citroen (Ford of France) Motor Company: "A Picasso with every Citroen...
...such peculiar problems, enormously complicated and multiplied in certain pictures, that his art of the past few years is made. He has borrowed like a magpie from every graphic manifestation that interested him, from latrine drawings to the child art of Paul Klee. In the still-lifes displayed at Rosenberg's last week, dated from 1936 to January 15, 1939, critics found a synthesis of cubist, infantile, surrealist elements...