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...tony, tasteful and sometimes tedious British drawing-room dramas that arrive regularly on these shores. There is, for one thing, scarcely a drawing room to be found. The beautifully detailed production moves with ease from the grand country estate of Lord and Lady Dedlock (Robin Bailey and Diana Rigg) to the drab chambers of Chancery and into the sad, grimy streets of London slums. South African Director Ross Devenish shot much of the drama in moody semidarkness, with scenes lit only by the soft glow of a lantern or the flickering of candlelight...

Author: /time Magazine | Title: Video: A Moody Swirl of Dickens: BLEAK HOUSE | 6/21/2005 | See Source »

...some, nobody will ever fill Emma Peel's leather bodysuit like Dame Diana Rigg. Still, UMA THURMAN is doing a creditable job. The Suit--a staple of the '60s British show The Avengers--is back again now that the show is being made into a feature film (a movie of a TV show! Why didn't anyone think of this before?!), with Thurman, RALPH FIENNES and Sean Connery. As for the old Avengers, they're perfectly happy. "Actors complain that their TV shows have not been good for them, but The Avengers has been great to me," says Patrick Macnee...

Author: /time Magazine | Title: People: Jun. 30, 1997 | 6/30/1997 | See Source »

...moment three classics of the American postwar theater are enjoying simultaneous London revivals. Davies (who eventually did direct an acclaimed 1988 National Theatre production of Cat on a Hot Tin Roof) has staged a hit revival of Edward Albee's masterpiece, Who's Afraid of Virginia Woolf?, starring Diana Rigg and David Suchet. Willie Loman is lugging his valises home once again in a National Theatre production of Arthur Miller's Death of a Salesman. And veteran director Peter Hall has imported Jessica Lange to play Blanche Dubois (a role she played on Broadway in 1992) and surrounded her with...

Author: /time Magazine | Title: THEATER: THE KINDNESS OF FOREIGNERS | 2/3/1997 | See Source »

...they do it in a garish, Roman-Colosseum spectacle. The conceit of Albee's play--two couples spend a long, booze-soaked night exposing their secrets and lies--has been copied so often that it might seem passe by now. But Davies' production quickly brushes away any cobwebs. Diana Rigg, as Martha, the university president's daughter frustrated with her underachieving history-teacher husband, is acid, sexy and funny without turning into a camp diva spewing one-liners. She is matched snide-for-snide by David Suchet (PBS's Poirot), with his oversize glasses and chiseled, world-weary sarcasm. Together...

Author: /time Magazine | Title: THEATER: THE KINDNESS OF FOREIGNERS | 2/3/1997 | See Source »

...Diana Rigg takes on Medea, the greatest role for a woman...

Author: /time Magazine | Title: Time Contents Page April 25, 1994 Vol. 143 No. 17 | 4/25/1994 | See Source »

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