Word: richardã
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...Instead of a command and control system, we’d like to see a marketplace where students can trade,” EdCom member Youn Sang “Richard?? R. Hwang ’13 said. “It would be great to have the maximum number of people get the choices they want...
...Cambridge UK. Our expected highlights for the year will include two months spent living with Hadza hunter-gatherers in the savanna of northern Tanzania, an extended conference in Japan, touring in central Tanzania, and of course time in Uganda with Elizabeth’s Kasiisi schools project and Richard??s chimpanzee studies. Richard also hopes to edit a book on chimpanzee behavioral ecology, and make headway on a book about violence...
...female cast. Initially, she seems uncertain in the role; it is very apparent that she is a woman trying rather unsuccessfully to play a man. As the play progresses, it becomes evident that this characterization is deliberate: Kinsley’s struggles with masculinity mirror those of Richard??s with kingship. Eventually, Kinsley blossoms, becoming a fascinatingly deep character. Even as Richard loses his grip on his crown and his sanity, Kinsley projects more assurance than might be expected from the role without losing any sense of her character’s pathos. When she says, in Richard?...
...Bolingbroke by Emily B. Hecht ’11 moves in the opposite direction. Whereas Kinsley is hesitant in the opening exchanges, Hecht delivers her verse with authority, exuding confidence and manliness. As the play progresses, Bolingbroke also becomes a more complex character—though, compared to Richard??s, this transformation is much less satisfying. Faced with Richard??s defeatism but continuing righteousness, Bolingbroke has no retort. This is less the fault of Hecht than the performance as a whole. Whereas the early contrast between the two rivals for the throne is enlivened...
...Kinsley’s performance and to the innovative angle Federman takes on the character. The rest of the play, however, feels weak and generic, failing to explore the themes of either the original play or the masculine/feminine dichotomy the production itself sets up. One of the morals of Richard??s story in the original Shakespeare is that too much femininity is detrimental to kingship. Unfortunately, despite bold direction and excellent performances, an excess of femininity is also detrimental to this production of “Richard...