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...Benedict biography. Benedict has on several occasions called for "absolute transparency" on sexual abuse. During a visit to Washington, D.C., in 2008, he met in private with some victims of abuse by American priests. But he has been remarkably unforthcoming about the latest scandals. If the Pope does reveal his feelings about the current upheaval, it may be in writing: he said he would shortly publish a pastoral letter - a papal guide on how the church in Ireland should respond to charges of pedophilia among priests there. But it's unclear if it will address the church's broader crisis...

Author: /time Magazine | Title: Catholic Europe: How Damaged Is the Papacy? | 3/29/2010 | See Source »

Just as the camera reveals that Kirk is sitting on a cheap lawn-chair and not a log or a bench, a plane roars overhead, bringing home the point that this movie is not afraid of trading in subtlety for loud, obvious humor. In fact, the opening scene couldn’t fit the film itself more perfectly. Like Kirk’s billboard, the film sets audiences up for a promising scene, then pulls back to reveal the seams...

Author: By Devon M. Newhouse, CONTRIBUTING WRITER | Title: She’s Out of My League | 3/23/2010 | See Source »

While these elements of “Terribly Happy” are effective, however, the shallow characters make the movie less than memorable. Robert, the protagonist, never once demonstrates self-reflection or divulges the motivations for his actions. It seems logical that as he increasingly reveals himself to be the opposite of the innocent cop he appears to be, he would simultaneously reveal the hidden personality traits which lead him to commit the atrocities he perpetrates during the film. But Robert completely maintains his superficial, ingenuous demeanor throughout the movie. This disconnect between his behavior and his bearing seems...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Terribly Happy | 3/23/2010 | See Source »

McPhee’s obsession with setting hints at the true significance of “Silk Parachute”: collected, these essays reveal not only a stunning attention to detail, but also the degree to which McPhee is steeped in the world in which he was raised—the intellectual scene of the American Northeast. When he writes that “Los Angeles might as well be Tokyo” in the East Coast-centered world of lacrosse, he could easily be talking about himself; his entire oeuvre could well be seen as an unsuccessful attempt...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: John McPhee’s ‘Silk Parachute’ Is an Uplifting Triumph of Style | 3/23/2010 | See Source »

...Where’s the show, guys?” For a film about one of the most perplexingly idiosyncratic, mannered, and sincere bands going, this question perfectly summarizes the sentiments of the audience as they sit through 93 minutes of tour footage where the band members never quite reveal the pretense—or if there even is a pretense—behind their show of weirdness. Unfortunately, despite its musical strength, “Under Great White Northern Lights” provides little response to the fan’s question, opting instead for an unfocused, superficial look...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: The White Stripes | 3/23/2010 | See Source »

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