Word: restless
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...holiday season has officially arrived. While you may not be prepared for yet another Christmas blitz, the two weeks between Thanksgiving and Christmas breaks are really just filler anyway. So you might as well grab a peppermint mocha twist, start untangling those lights, and make use of your restless pre-vacation energy. Clearly, any scrooge is just jealous that he still has to finish his thesis chapters. The trick is to prioritize: I personally made the (in retrospect, probably poor) decision to skip my MCB 52 exam review in favor of decking the Quincy dhall for three hours...
This outlet, though, may be in danger. Cuba is restless; increasingly, just a flick of the hips and a ready melody aren't enough. And under the surface, Cuba is already changing--it's closer than ever to the U.S. but also closer than ever to losing its cultural patrimony. President-elect Barack Obama is hoping that small moves will help open up Cuba from the inside. During the campaign, he stopped short of calling for an end to the embargo but pledged to make it easier for Cuban Americans to travel and send money to Cuba...
...getting back into it now, despite the constant anxiety over money. He plays for tourists in Old Havana but earns just a few dollars a night. The strings for his instrument are made out of recycled telephone wire; he cuts his guitar picks from shampoo bottles. He is still restless, eager for an upgrade in life...
...bringing the same creative philosophy which had inspired his sculptures to film collages, assembled from varied and seemingly incongruous source materials. His 1958 debut, titled simply “A Movie”, is perhaps his most famous film. The work is a collage inter-cutting various scenes of restless, frustrated, even comically absurd mobility—men on horses, novelty bicycles, surfboards, water-skis and racecars—clips of peep-show footage, air disasters, tight-rope walkers, and myriad other images, set to the sounds of Ottorino Respighi’s “The Pines of Rome...
...truth out of the lad. His explanations all relate to his hard life as a homeless orphan in the company of his brother Salim (Madhur Mittal) and, not often enough, with the winsome, consistently abused Latika (Freida Pinto). Salim is a type-A troublemaker, a fighter and conniver, restless and reckless, and thus the ideal complement to Jamal's caution, sensitivity and resilience. These flashbacks constitute the body of a sharp, teeming, dark, very romantic film. (See other films from the Toronto Film Festival...