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Word: relishes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...scrambled for any pre-1920 De Chirico, he began to repeat his own early work. The market for De Chiricos became hopelessly snarled in disputes over authenticity, between fake De Chiricos painted by others, the copies he painted himself, and the real pre-1920 canvases. He took a sardonic relish in that. It was his revenge on an art world that he regarded as corrupt from first to last. Nevertheless, nothing would stop him from painting. He was, at the last, a model of misapplied industry. But the young De Chirico was a master, as the old maestro...

Author: /time Magazine | Title: Art: The Metaphysician's Last Exit | 12/4/1978 | See Source »

...Kissenger. Moynihan finds it in himself to finish by calling him "a good friend," but through the book he provides some of the most acid elucidation of Kissinger's manipulative tactics yet to appear in print. Indeed, if there is one quality that pervades this volume, it is a relish in going on the defensive, something Moynihan readily admits. A good third of the book is occupied, for example, in citing seemingly every bit of criticism extant of Moynihan's U.N. performance--from The New York Times to Pravda to the European press--and with countering each charge in turn...

Author: By Mark T. Whitaker, | Title: A Complex Place | 12/1/1978 | See Source »

...uplift. Anyone who has traveled the nation during these past 15 years and paused to measure the Kennedy feeling has sensed it beneath the surface. The Senator these days seems almost as much a captive of the legend as the man who is exploiting it. He rides along with relish. But he also is driven to keep up with the legend, build...

Author: /time Magazine | Title: THE PRESIDENCY: Recalling the Kennedys | 11/27/1978 | See Source »

...They relish Chef Ruth Lewis' warm, homemade coffeecake in the mornings...

Author: /time Magazine | Title: THE PRESIDENCY: Ghosts and Pecan Bars | 11/6/1978 | See Source »

...Stoppard loves playing around with dramatic from: the characters in his plays see themselves as figuratively or literally on a stage. Fassbinder displays a similar interest in form, and a feeling for intricate vision detail to match Stoppard's verbal relish. Match this pair with Nabokov, with his witty, self-conscious prose and playful pokes at literary form and point-of-view, and you have a threesome so finely tuned that they practically exclude the rest of us. Add Dirk Bogarde, one of Britain's most mannered, fastidious actors, and it's no surprise Despair is impenetrable...

Author: By David B. Edelstein, | Title: Imperfect Despair | 11/1/1978 | See Source »

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