Word: relationships
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Dates: during 1960-1969
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POWER, by Adolf A. Berle. A former F.D.R. brain-truster and State Department official compellingly examines the sources and limitations of power and its relationship to ethics...
More than a homosexual, I am a person: a person with most of the same goals in life and needs from life that heterosexuals have. The amount of love, and not the sexual object choice, determines the value of a relationship. The "problem of homosexuality" is misnamed. More accurate is the "problem of a society that refuses to accept (embrace?) minority behavior." The Indian experienced that problem; it killed him. The black man experienced that problem; it enslaved and ghettoized him. The homosexual experienced that problem; it castrated...
BESIDES the perceptive narrators who are able to maturely integrate their lives, Mr. Taylor describes those top-drawer people who grow into unhappy insurance men and car dealers. They are often incapable of a generous and rich relationship with a partner, with children, with-simply-any other human being. Mr. Taylor suggests that the family can effectively balance the fear and uncertainty of life. Yet this kind of security is not automatic. The man in "At the Drugstore" can say that he and his father "had . . . made these adjustments and concessions that a happy and successful life requires. . . . They...
...married" individuals are concerned, they are engaged in what to them is a meaningful and satisfying relationship. What I would define as a sick person in sexual terms would be someone who could not go through the full sequence of sexual activity, from seeing and admiring to following, speaking, touching, and genital contact. A rapist, a person who makes obscene telephone calls?these seem to me sick people, and I don't think it matters a damn whether the other person is of the same...
...Does the sitter look different because his mood changed each time he posed for Rembrandt, or did Rembrandt merely illustrate a different aspect of his nature? Or is it the artist's own opinion of de Jonghe that develops through the changing states? The prints spin out the shifting relationship between artists and sitter. Beyond this the progression suggests that changes within the viewer himself will make a print appear different each time he approaches...