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...JAMES CARTER, CHASIN' THE GYPSY: This tribute to Django Reinhardt offers more than covers of the Gypsy guitarist's songs. Carter also serves up involving originals inspired by Reinhardt and, in doing so, establishes himself as one of the premier saxophonists in jazz. The chase is on, and Carter is closing...

Author: /time Magazine | Title: Best Music 2000 | 12/7/2000 | See Source »

...gained an admirable reputation himself. His fast octave runs on the piano were demonstrated capably throughout the set, even though he had to warm up slowly from his initial contained exuberance. On Malone part's, he managed to maintain his signature bluesy sound, while recalling the Django Reinhardt recordings of the past...

Author: By Adrian Foo, CONTRIBUTING WRITER | Title: Jazz for a Quiet Friday Night | 10/13/2000 | See Source »

...royal honorific as much as jazz gents named Duke and Count. One listens to the set, culled by Armstrong and Sherwin Dunner from rare originals, and the '30s guitarist in Woody Allen's Sweet and Lowdown comes to mind--the one who was right up there with Django Reinhardt. And one thinks he should have been a Hawaiian...

Author: /time Magazine | Title: Music: Hawaii's Man Of Steel | 7/31/2000 | See Source »

Tribute albums are often content with summoning up old ghosts. Saxophonist , 31, takes a more rewarding approach on his excellent new CD: he offers up fresh takes on the music of French Gypsy guitarist Django Reinhardt, but he does so by substituting his own instrument in the lead role. Carter, whether he's playing tenor or soprano sax, shows off a sweet, sinuous tone; when he reinterprets Reinhardt's classic Nuages with a bass sax, the muscular sound is distancing at first, but then it wraps itself around the listener like an anaconda. This CD does more than invoke Reinhardt...

Author: /time Magazine | Title: Music: Chasin' The Gypsy, James Carter | 7/10/2000 | See Source »

...pimp and all-around heel, who somehow comes off as a nice guy despite himself. The running joke of the movie is that Emmet Ray is the second greatest jazz guitarist of his time, and the two times that Emmet has encountered number one, the real-life figure Django Reinhardt (this Gypsy guitar player from France), he fainted on sight. Penn handles the movies many slapstick moments with gusto, including a terrific scene in which Emmet crashes through the roof of a counterfeiting operation in an attempt to escape a third meeting with Django. These moments of light comedy...

Author: By Erwin R. Rosinberg, | Title: Sweet Lacks Flavor | 12/10/1999 | See Source »

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