Word: realist
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Dates: during 1950-1959
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...severe Calvinistic atmosphere of colonial New England, represent an American aberration that Director Raymond Rouleau and his forces do not sufficiently comprehend. The fact that the good people of Salem talk French, and that the town itself is depicted as the type of medieval slum most often found in realist movies throws the entire production almost irretrievably off balance...
President Eisenhower has been true to the anti-sitting tradition, never allowed more than an hour or two for portraitists-until last month. When TIME commissioned famed Realist Andrew Wyeth to paint the President, both artist and subject hesitated momentarily. Wyeth, a deliberate and profoundly emotional artist, was naturally a bit overawed by the assignment. The President, for his part, was relaxing at Gettysburg, gathering his forces for his momentous and precedent-shattering visit to Europe. But TIME and mutual admiration brought the two together to create an important addition to the picture gallery of American history...
...broads!"* In the first-class staterooms, a collection of extras as mixed as the strays in a Conrad novel-English girls from Kobe, White Russians, Poles, wives of U.S. marines, a French judo expert-had the maritime of their lives and drew $10 a day. As the cameras rolled, Realist Stone pushed his 101 performers (including George Sanders, Edmond O'Brien, Robert Stack) through the paces of disaster. A grand piano plunged into the ship's chapel through a 12-ft. hole in the deck of the grand salon; Actress Dorothy Malone was trapped between sheets of boiler...
...square miles and who has spent 33 years there: "Living in a primitive society, the Eskimo had many of the same problems as the Biblical characters. To him, the moral background was perfectly understandable. A great deal of the conception of the Gospel was already there. Being a realist, he tried to put Christianity into practice, and he did it successfully...
...Gothic Architecture and Scholasticism, and Southern's Making of the Middle Ages, Bourne finds that the first two historians tend to invoke a time-spirit to explain the relations between different aspects of medieval culture. The positing of a time-spirit raises questions akin to those of the nominalist-realist controversy which occupied the minds of the medieval man that these historians write about: does the Zeitgeist have any universal validity or is it merely a magic name for uniting different manifestations of a culture? Bourne does an astute job of showing how the historians arrive at a causal Zeitgeist...