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...extraordinarily allusive imagination: forever unpicking its objects, forever recombining them. As the poet-critic Carter Ratcliff remarks at the opening of his brilliant catalogue essay on Cornell as a puritan, he was "a virtuoso of fragments, a maestro of absences. Each of his objects ... is the emblem of a presence too elusive or too vast to be enclosed in a box." The extreme examples of this were, perhaps, Cornell's cosmogonies-the "Soap Bubble Sets," made in the '40s and early '50s. The metaphor on which they rely is simple, even banal: a likeness between soap bubbles...

Author: /time Magazine | Title: Art: Linking Memory and Reality | 12/1/1980 | See Source »

...next mile-and-a-half through the hilly terrain of the Van Cortlandt course, Logan remained about 30 yards away from leader Tom Ratcliff from Brown. At the three mile mark, however, the course flattened out for about a mile, and Navy runners Bill Kovach and Mark Donahue jumped the pace, leaving Ratcliff and Logan behind...

Author: By Nell Scovell, | Title: Princeton Captures Heps; Harvard Finishes Eighth | 11/1/1980 | See Source »

Kovach and Donahue went on to complete the race in 24:47 and 24:53, respectively, to give the Middies a one-two finish. Ratcliff came in third in 24:54. Only 15 seconds separated the next seven runners--four from Princeton...

Author: By Nell Scovell, | Title: Princeton Captures Heps; Harvard Finishes Eighth | 11/1/1980 | See Source »

...aggressive; its colors are about as subtle as the parlor of a San Juan cathouse. But its ambition is unshakable, even obsessive: to render an account of exotic travel as refracted through a Puerto Rican background and an ironic, modernist education. As his best exegete, Art Critic Carter Ratcliff, points out, "It is as a practitioner of a dramatic, restless, 'tropical' version of the sublime that Ferrer can best be understood." The work is hot salsa too, theatrical and loose. In his way, Rafi-as his buddies call him -is the ham his elder brother, Actor Jose Ferrer...

Author: /time Magazine | Title: Art: Ferrer: A Voyage with Salsa | 2/28/1977 | See Source »

Wednesday's Child treats the subject of incipient schizophrenia with grim understanding. The focus of this clinical dramatization is Janice (Sandy Ratcliff), young daughter of a lower-middle-class British family, who has been more than usually bruised by the trials of adolescence. Her parents, their marriage long a stalemate of uneasily repressed hostility, commit her to the care of a therapist whose attempts to reach Janice are thwarted by his dismissal from the hospital. Wednesday's Child strains credulity here. The doctor's reasonable, low-key therapy sessions hardly seem radical enough to get him dismissed...

Author: /time Magazine | Title: Cinema: A Festival's Moveable Feast | 10/16/1972 | See Source »

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