Search Details

Word: rapunzel (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...reveal the homes of the Baker and his Wife, Jack and Cinderella. This is artfully done and a good contrast to the wide open stage of the "forest" where the rest of the action takes place. The tree panels are on a fine line between abstract and unrecognizable; Rapunzel's tower is downright weird. The rotating rake in the center of the stage is put to good use in indicating scene changes and the director only once gives into the temptation of staging a "Les Miserables"-like turning sequence. Bovine Engineer Margaret Chou also deserves credit for creating a stupid...

Author: By Lori E. Smith, CRIMSON STAFF WRITER | Title: Imperfect Fairy Tale Extravaganza | 11/19/1992 | See Source »

This is particularly a problem in the two "Agony" sequences where Cinderella's Prince and Rapunzel's Prince lament their anguished quest for love. These are normally among the funniest numbers in the show yet they receive only token laughs in this production. Markham O'Keefe and Jason Watkins as the Princes seem to have no idea what they're doing. This scene is only funny if the princes actually believe what they're saying. O'Keefe and Watkins treat it as a cabaret performance and sing the whole song facing front and rocking back and forth on their feet...

Author: By Lori E. Smith, CRIMSON STAFF WRITER | Title: Imperfect Fairy Tale Extravaganza | 11/19/1992 | See Source »

Into the Woods (1987). Stephen Sondheim's best musical was gorgeous to look at, haunting to hear and thought provoking to remember. A fractured fairy tale that brought into the same forest Cinderella, Rapunzel and the like, it asked what comes after happily-ever-after, pondering what it means to grow...

Author: /time Magazine | Title: Theater: Best of the Decade: Theater | 1/1/1990 | See Source »

INTO THE WOODS Stephen Sondheim's best musical yet, gorgeous to look at and haunting to hear. A fractured fairy tale bringing into the same forest Cinderella, Rapunzel and the like and asking what comes after happily-ever- after...

Author: /time Magazine | Title: Theater: Best of '87: Theater | 1/4/1988 | See Source »

...work. Says he: "The point of being in the theater is to try one idea after another, maybe realize your first was the best, but be able to know -- which just about no other art form can allow." For Woods -- a sort of Fractured Fairy Tales in which Cinderella, Rapunzel, Jack of Beanstalk fame and other beloved characters all meet in the same forest at the same time and blunder into one another's stories -- Sondheim and Director-Librettist James Lapine started sketching ideas soon after the premiere of their first collaboration, Sunday in the Park. Through three workshop productions...

Author: /time Magazine | Title: Stephen Sondheim: Master of the Musical | 12/7/1987 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Next