Word: protagonist
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Dates: during 1980-1989
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Mallon not only learned about writing with this project; he learned about being read. "I am very distrustful of authorial intention," he says, adding that one reviewer of Arts and Sciences wrote that he probably meant the protagonist's name to be a pun on the word art in the title. "But I named him for my father," he says...
Michelle Haner's performance as protagonist Susan Traherne indicates that she is an actress of considerable ambition and talent. However, it takes a while for Haner's initial awkwardness with her lines to wear off. It takes perfect acting to say, "What's the point of following the rules? I don't want to die! I don't want to die like that!" without sounding somewhat artificial, and Haner doesn't completely bring Susan into reality until the middle of the first...
Today's black business class contributes generously to antiapartheid organizations, and many militants now accept it as the protagonist in a new form of confrontation with whites that is taking place in the boardroom. "At one time black managers in South Africa were little more than token blacks in white business," says Morakile Shuenyane, a spokesman for the independent Black Management Forum. "Now it is the responsibility of black management to play a role model with the intention of melting white attitudes." Far from serving as quislings for the white establishment, the new black elite is emerging...
...most typical. Living in a nation whose people have aggressively reversed the role of outsider and helpless victim, he still writes what he describes as a literature of uprootedness. In his new novel, The Immortal Bartfuss, the concept of a Jewish homeland is not relevant. Bartfuss, the emotionally anesthetized protagonist, does not even have a proper home. He sleeps in a room apart from a wife he avoids and two daughters he scarcely knows. Bartfuss is some sort of underworld trader who keeps his money hidden in a box that his family cannot find. His business hours evidently are erratic...
This tumult of passion, literature and coincidence belongs in the Dickensian tradition, and so does Ackroyd. The protagonist of his crowded and exuberant novel is another cursed poet, Charles Wychwood. One afternoon he comes across an old painting showing the marvellous boy as a middle-aged man. Curious, he begins to pore over some obscure manuscripts. They suggest that Chatterton faked his early death, then continued to write more verse under more assumed names, among them William Blake and Thomas Gray. "The greatest plagiarist in history?" inquires a colleague. "No!" Wychwood argues. "He was the greatest poet in history...