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...March 13, Patrick T. Brennan '11, managing editor of The Salient, published a highly controversial article about ethnic studies. In the article, Brennan condemned the new Ethnic Studies secondary field as tangential to a proper undergraduate education. But in the meantime, his rhetoric-heavy article has ignited passionate debate over meals, House e-mail lists, meetings, and just about any other place at Harvard...

Author: By Keren E. Rohe, CONTRIBUTING WRITER | Title: Battle Royale: Ethnic Studies vs. The Salient | 3/30/2010 | See Source »

...Germans use the U.S. plan - which calls for a tax of 0.15% on liabilities at about 50 banks and other financial institutions - Germany could raise as much as $12 billion a year. Would that be enough to protect banks in the case of another meltdown? Of course, proper government and regulatory scrutiny can guard against a repeat of the recent crisis. But in the event of a disaster on a similar scale, "you're never going to get a fund big enough to cover all that," says Simon Maughan, a banking analyst at MF Global in London. "The taxpayer...

Author: /time Magazine | Title: In Europe, a Tax on Banks Gains Momentum | 3/26/2010 | See Source »

...says she doesn't see the harm in scrutinizing the group's practices through film. "I keep waiting for a big Hollywood picture on the topic," she says. It's probably safe to say that Cruise won't be starring in that vehicle - unless it paints Scientology in the proper light...

Author: /time Magazine | Title: In Germany, Scientology Outrage Over a Critical Film | 3/24/2010 | See Source »

...veil of blind nostalgia, Americans quickly become attached to a particular narrative as the one correct interpretation of a murky past. Challenges to this worldview, then, are often met with the most vitriolic of reactions, as champions of the established historical guard fiercely defend that which they consider "proper" American history...

Author: By John W. He | Title: In Search of Our History | 3/24/2010 | See Source »

...second act consists of the opera proper, the Composer’s “Ariadne auf Naxos.” The audience in the opera house implicitly becomes the audience in the house of the nobleman. The popular/classical concept of the Prologue seems to get dropped in the Opera; the harlequins stop being band members and become, somewhat disappointingly, actual harlequins (although one does wear sunglasses). The Opera itself could be substituted in any other production of “Ariadne auf Naxos” without much loss of continuity...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

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