Search Details

Word: productionã (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...play is a set of 17 multilingual, multimedia vignettes centered around a theatrical construct named “Anne,” the production??s closest approximation of a main character...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: ‘Attempts’ Tries Innovative Theater | 11/13/2009 | See Source »

...serve to provide a solid background to its comic madness. The lighting design of Tiffany M. Bradshaw ’10 contributes effectively to the mood, despite a chaotic and disorienting series of color changes near the finale. The gaudy Elizabethan costumes, created by Pugliese, further add to the production??s merrily boisterous feel...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

...varying success. In particular, during Sir Marmaduke and Lady Sangazure’s duet “Welcome, Joy!” the busy movements distract from the comic interaction between the two self-important aristocrats. But the chorus dances well in a number of scenes, adding to the production??s festive feel...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

...It’s all about love and magic,” says stage director Davida Fernandez-Barkan ’11. “I think it’s a really beautiful show.” Though the show was originally conceived in Victorian England, this particular production??s styling and costume will be decidedly more Elizabethan. “Shows get taken to the present a lot, and I thought it would be fun to take a show back.” Originally, the plan was to set the production in medieval times, but anachronisms...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: 'Sorcerer' Conjures Whimsical Fun | 11/6/2009 | See Source »

...these era-shifting media, it’s worthwhile to look back at the impact of preceding innovations. In “The Cultural Origins of the French Revolution,” historian Roger Chartier describes the impact of the “tripling or quadrupling of book production?? on French readers in the decades before the revolution and how “a new way of reading, which no longer took the book as authoritative, became widespread.” In this era, the new innovation, so to speak, could be called the individualized text?...

Author: By James K. Mcauley | Title: A Look at the Vook | 10/28/2009 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next