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WITH Guevara killed by CIA-inspired forces in South America, North Vietnam facing total destruction, and U.S. police forces arming to meet future civil rights riots, revolution doesn't look so rosy these days. So it's nice to have Gillo Pontecorvo's superb first film The Battle of Algiers here to remind us that military suppression doesn't always work...

Author: By Sam Ecureil, | Title: The Battle of Algiers | 2/19/1968 | See Source »

Proust Is Possible. The New Cinema has been displayed on U.S. screens recently with astonishing variety and virtuosity. Michelangelo Antonioni parodied the modish artsiness of fashion photography to help create the swinging London mood of Blow-Up. Italy's Gillo Pontecorvo faithfully reproduced the grainy style of newsreel footage to restage The Battle of Algiers-a pictorially harrowing exposition of war as an extension of politics. Czech Director Jiff Menzel leaped from tears to laughter in quick sequence to create the moody turmoil of Closely Watched Trains. The "undoable" film can now be done, as shown by the creditable...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

...BATTLE OF ALGIERS. A cinéma-vérité-style recounting of the Algerian guerrilla war against the French during the '50s, in which Italian Director Gillo Pontecorvo has used not one frame of actual documentary film footage, yet manages to make the movie explosively real...

Author: /time Magazine | Title: Television: Oct. 27, 1967 | 10/27/1967 | See Source »

...BATTLE OF ALGIERS. Italian Director Gillo Pontecorvo's newsreel-style account of the F.L.N. guerrilla war against the French explodes with the power of a bom be plastique...

Author: /time Magazine | Title: Television: Oct. 13, 1967 | 10/13/1967 | See Source »

...BATTLE OF ALGIERS. Italian Director Gillo Pontecorvo's newsreel-style account of the F.L.N. guerrilla war against the French has the brutal impact of a bombe plastique...

Author: /time Magazine | Title: Television: Oct. 6, 1967 | 10/6/1967 | See Source »

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