Word: polanski
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...also were pleased to see the arrest of Hollywood director and part-time child rapist Roman Polanski by the Swiss police. We expressed disgust at the arguments made by some in Hollywood that Polanski deserved clemency due to being an artist, as if artists were above the law. We reject this hypocritical position and asserted firmly that...
...title role; it took in $1.1 million on 181 screens. The Runaways, starring Dakota Fanning and Twilight's Kristen Stewart, is already DOA after two weeks. About as close as a non-Hollywood film can get to hit status is the $9.2 million cadged so far by Roman Polanski's The Ghost Writer, which has had great word of mouth from most of those who've seen it - but not nearly enough have seen it. (See the top 10 Pixar voices...
Among films in limited release, Roman Polanski's favorably reviewed thriller The Ghost Writer took in $870,000 on just 43 screens. But the big race, not so much at the box office as in this week's Oscar pools, was between two nominees for the foreign-language Academy Award, both of them released by Sony Pictures Classics. A Prophet, Jacques Audiard's French prison drama, opened to a decent $170,000 in nine theaters in New York and Los Angeles, while Michael Haneke's The White Ribbon made $168,000 in its ninth week of limited release. That movie...
...rated whodunit - with Leo playing a U.S. marshal searching for a killer in an insane asylum - benefited from an effective ad spot on the Super Bowl and a week with no other new films in wide release. Scorsese's very limited competition came from fellow world-class auteur Roman Polanski's The Ghost Writer, another conspiracy thriller set on a windy Massachusetts island. The film took in $179,000 in four theaters in New York and Los Angeles, reaped encouraging reviews and, yesterday, won Polanski the best director prize at the Berlin Film Festival. It will open wider over...
...mostly in Massachusetts, the movie was shot at Berlin's Babelsburg studio, where Polanski earlier created the Warsaw Ghetto for his most explicitly autobiographical film, The Pianist, for which he won the Academy Award for Best Director in 2003. The Ghost Writer is unlikely to earn him such acclaim. The villainy surrounding its hero is vast but not, in Oscar terms, important; and there are a few giggle moments, as when one of Lang's women pops into the Ghost's bed. But we should hail a movie that recalls creepy political thrillers of the mid-'70s, back when some...