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NEIL SIMON, American playwright, after a revival of his play Brighton Beach Memoirs closed a week after it opened...

Author: /time Magazine | Title: Verbatim | 11/16/2009 | See Source »

...room diagonally. The audience sits along either side in small bleacher clusters, the noticeably comfortable space between their seats an appreciated—and probably intentional—detail. After all, it could not have been lost on director Matthew C. Stone ’11 that British playwright Martin Crimp’s “Attempts on Her Life” is not a play that makes anyone feel like being close...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Stone’s ‘Attempts’ An Awesome Success | 11/16/2009 | See Source »

...affable Jim Halpert on NBC’s “The Office,” Krasinski tackled one of his favorite works for his directorial debut. In adapting “Interviews” for the screen, he returns to his college roots as an English major and playwright at Brown University. Wallace’s unnamed interviewer is here given a distinct collegiate identity as Sara Quinn (an icy Julianne Nicholson), who hopes to investigate “the social effects of the post-feminist era” by conducting and recording interviews with male test subjects...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Brief Interviews with Hideous Men | 11/13/2009 | See Source »

Rumpled and round, he was intensely cerebral, with a deeply speculative mind that focused on more than just business. He was involved in liberal politics, employing both Vernon Jordan and, for several years, Rahm Emanuel. And he loved the media. The brother of deceased playwright Wendy Wasserstein, he edited his college newspaper as a teenager, interned at Forbes magazine and, over the past decade, assembled and sold American Lawyer Media, founded The Deal and acquired New York magazine...

Author: /time Magazine | Title: Bruce Wasserstein | 11/2/2009 | See Source »

...witness the playacting of inmates and our own theatre-going selves, who watch both the play itself and the intellectuals’ reaction to it. This idea of surveillance and reaction comes from the text—Weiss was influenced by the theories of Bertolt Brecht, a German playwright who believed in politicizing theater by highlighting its artificiality—and Leaf uses it fully...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Marat’ Overflows with Potential | 11/2/2009 | See Source »

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