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Word: playwrights (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...stories till now, looking back, he can't separate the fact from the fiction. Perhaps it was this sort of profundity that led critics to label him "superficial" at the age of sixty. But what Maugham lacks in depth he often makes up for in speed. His talents as playwright often outshone his skill with fiction for the very reason that the man could make a clever little plot move along rapidly...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 9/28/1949 | See Source »

Racing against a November deadline on a play about The New Yorker magazine that he started writing nine years ago, Humorist James Thurber was "midway through the second act for the 28th time" when he got some news: another producer was putting on another playwright's comedy about the same magazine...

Author: /time Magazine | Title: People: Happy Birthday | 9/5/1949 | See Source »

...dispense this capsule advice, Producer Irving Mansfield (Talent Scouts') engaged Critic Clifton Fadiman as moderator, and Comic Abe Burrows and Playwright-Director George S. Kaufman (The Man Who Came to Dinner, You Can't Take It With You) for permanent panel members. Right from the start it became embarrassingly clear that the problems of most entertainers could be solved more readily with a grain of aspirin than with a pound of prosy counsel. On the opening show, Bandleader Artie Shaw departed from his script to remark: "My problem is that I haven't any problem...

Author: /time Magazine | Title: Radio: My Trouble Is . . . | 9/5/1949 | See Source »

Last week, for The Cocktail Party, his new blank-verse comedy, Playwright Eliot appeared in a new role: the harried craftsman who jots notes in the balcony while the actor runs through the dress rehearsal. For four weeks in Edinburgh's Royal Lyceum Theater, Eliot had watched rehearsals, chatted with the actors over gin an water, and penciled his unpublished script with cuts and corrections...

Author: /time Magazine | Title: The Theater: New Play in Edinburgh | 9/5/1949 | See Source »

...Prose. Fortnight ago she gave her new Domino Furioso, with music by her Brazilian-born Pianist-Husband Bernardo Segall. As in The Desperate Heart and As I Lay Dying, she had employed a narrator. In Domino, a loose theatrical piece about Harlequins, Columbines and Pierrots who rebel against their playwright, there was more narration than choreography...

Author: /time Magazine | Title: Music: Out of the Woodshed | 8/29/1949 | See Source »

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