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Noah J. Madoff ’12, who plays Pericles, stresses that an innovative play like this one needs an innovative director. “This play has a cluttered, bizarre script that doesn’t follow the rules of normal Shakespeare—but Adam has been fearless in editing, cutting, and reworking the production,” Madoff says. Stone adds, “I just developed the production word for word from the script based on the images and references that filtered into my mind and that of the cast.” In addition...
...that you won’t necessarily see in the shallow, episodic plotline,” he says. Federman agrees: “We may not have had a promising production under different leadership, but Adam is the kind of director who can get people excited about a Shakespeare play, and an obscure one at that...
...This production isn’t only Shakespeare like you’ve never seen it,” she adds. “This is a play like you’ve never seen...
...make sure that every project that I took on has been challenging me in a different way than anything has challenged me before,” Cutmore-Scott explains. “I’ve loved trying stuff that I am not really sure I can do. Like playing in Hasty Pudding was very much out of my comfort zone—I was a wolf and then a female swan—and that was a great experience.” Indeed, he has had the courage to play roles ranging from that female swan to Hamlet...
What happens after “happily ever after”? This is the question that drives “Into the Woods,” directed by Jordan A. Reddout ’10 and playing on the Loeb Mainstage through May 1. In Stephen Sondheim’s retelling of several classic fairy tales, Jack (of ‘Beanstalk’ fame), Little Red Riding Hood, Rapunzel, and Cinderella all find themselves wandering in the same dark woods. Tying these various stories together is that of the Baker and his Wife, who search for the four items...