Word: played
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Dates: during 1970-1979
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...qualms about anyone's being gay. But Playwright Sherman is not proselytizing. He wants to show us the brute cost of survival, the deep need and sustaining force of human affection in dire adversity and the taxing journey to the root core of one's identity. The play at Manhattan's New Apollo Theater achieves these ends, thanks in part to an arresting performance by Film Actor Gere (Looking for Mr. Goodbar, Yanks). Even greater thanks are due David Dukes for his extraordinarily intuitive portrayal of Horst, a man rounded up by the state for having signed...
Throughout the play, Gere handles the shadings of emotion superbly, especially in a scene in which he and Dukes stand several feet apart, not facing each other, and go through an explicit verbal depiction of oral sex all the way to its climax. Bent is not "entertainment" as the word is customarily used, but in its tensile strength and nervy risk taking, it is audacious theater.-T.E. Kalem
...performance the band seems to play possessed. The music itself is animated by excess, insists on, and receives, a response in kind. Who audiences are some of the most fiercely loyal, and some of the wildest, in rock. Abandon is the aim, and to reach that The Who acts in concert with the audience; "They bring you alive," as John Entwistle, the bass player, puts it. The excess they want, group and fans together, is a release, an explosive culmination of energy, a detonation of good will and great music. "Rock's always been demanding," says Pete Townshend, who writes...
Whether witting or withdrawn, like savings, from some secret zinc-lined stockpile, the honesty of the performance and of the music was armor piercing. "The Who sound came from us playing as a three-piece band and trying to sound like more," Entwistle told TIME's Janice Castro. "I play standard bass, but I combine it with long runs where I take over the lead while Pete bashes out chords." Townshends guitar style?a sort of flywheel progression from rhythmic chords to melody and back again, all performed with whirling arms, splits, slides and high jumps?attracted as much attention...
...modesty, insists, "I can still use The Who more effectively to speak to people heart to heart than I ever could on a solo album." Daltrey observes, "Did you ever notice that nobody ever does Townshend's songs? The Who are the only people who can play them. That's one reason we've survived. None of us is very good on his own. It's only as part of The Who that we're great...