Word: played
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Dates: during 1960-1969
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...aura of anticipatory delight. Momentarily, one expects something scandalous to be said, something bizarre to be done, characters to be mesmerically drawn to each other and just as galvanically repulsed by each other. Just as F. Scott Fitzgerald threw iridescent parties in his novels, Coward has saturated his plays with the ambience of sophistication. One always seems to be slumming upwards at a Coward play, forever lingering on a moonlit terrace, and peeking into bedrooms that are more like ballrooms. The characters always seem to be in evening dress even when they aren't. They appear to be dancing...
...that they seem instead to have a fierce crush on life. The evening is permeated with the spirit of the '20s, gin-high, half-naughty, half-emancipated, free-souled and free-bodied-not the least piquant aspect of which is the decision of the two leading ladies to play their roles throughout sans bras...
...Allen may well be the funniest man in America. But he is not the funniest writer in America, and between the two titles lies a profound gap. At the bottom of the gap is Don't Drink the Water, the film version of Woody's first stage play...
When he appears in his own Broadway comedy (Play It Again, Sam) or his own film (Take the Money and Run), Allen fleshes out the jittery image of Everymanic-depressive. Inanimate objects become his sworn enemies, paranoia reigns and everyone becomes a Woody worshiper. But Don't Drink the Water is minus the man-as adapter and actor-and the result is the lesser half of a situation comedy...
...Crimson's attack was seriously impeded for most of the game by sloppy passing and difficulty getting the puck out of its own zone. B.U. displayed extremely aggressive play in the Harvard zone and scored four of its goals amidst confusion around the Crimson...