Word: photograph
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...Fairey did not do anything wrong. He should not have to put up with misguided threats from the AP.' JULIE A. AHRENS, an attorney for Fairey, announcing a countersuit that argues his use of the original photograph constitutes "transformative use," which is protected under copyright...
...photographer Rosamond Purcell understands it, a common misconception plagues the relationship between scientists and artists: when these two fields interact, “an artist is regarded as a bull in a china shop,” Purcell says. However, two photography exhibits currently on display at the Harvard Museum of Natural History—Purcell’s “Egg and Nest” and Amanda Means’ “Looking at Leaves”—demonstrate the way that artists can reveal the aesthetics of the natural world, rather than simply record...
...between the projectors, there is a constant flicker that reveals an unclear image in the middle of a strobe-light blur. For the 2005 movie “Krypton is Doomed,” the final film screened, Jacobs explained that the Nervous Magic Lantern and a 3x3 inch photograph of a painting were his only tools in creating the 34-minute film. Although there was no computer-processing, the image on-screen clearly transcended both the second and third dimensions, just as the artist intended.Through his film, Jacobs strives to create new territory, new inventions. More than just...
Within the narrow confines of the Neil L. and Angelica Zander Rudenstine Gallery, the scenes of rage, shame, and transcendence captured by late photographer Rotimi Fani-Kayode seek to overcome conventions. The provocative images of “Rotimi Fani-Kayode (1955-1989)”, an exhibit hosted by the W.E.B. Du Bois Institute for African and African American Research, engulf and overwhelm with the impact of shamanic vision.Rotimi Fani-Kayode was a conflicted man. He describes himself as an “outsider on three counts: in matters of sexuality; in terms of geographical and cultural dislocation...
...concentration or what they’ve come to regard as the norm at Harvard.Upon opening the heavy door to the Sert Gallery, viewers could stare into the face of Dorothy L. McLeod ’12, standing in her dorm room with a shadow on her face. The photograph entitled “The Skies are Different Here,” by Alissa C. Costello ’12, was part of a larger, semester-long project of creating portraits of about 40 different freshmen. The project became Costello’s way of exploring the freshmen transition...