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Word: paintings (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...museum to his tastes, Ultra-modernist Sweeney had used flat white paint and light to cancel out a good many Wright concepts. Canvases were mounted unframed on rods projecting from the dazzling white wall. Bright, fluorescent lights were installed in the side skylights, canceling out Wright's sunlight but creating a brilliant background wall of light. As a result, the paintings seem to hover weightlessly in luminous space. "We are not trying to show nature effects in sunlight, but paintings," Sweeney stated. "This is the most spectacular museum interior architecturally in this country. But my job is to show...

Author: /time Magazine | Title: Art: Last Monument | 11/2/1959 | See Source »

...year ago short, lank-haired Manabu Mabe was a familiar but furtive peddler on the streets of Brazil's metropolitan (pop. 3,650,000) Sao Paulo. His wares: his own hand-painted ties, priced from 85^ to $1.15. "It was embarrassing and illegal," Mabe confesses. "I had no peddler's license, but they sold fast." Only at night did Manabu Mabe indulge his private obsession, squandering his money on oil and canvases, sitting up, often until dawn, to paint large, calligraphic abstractions. Suddenly this year the whirlwind of artistic success sucked 35-year-old Manabu Mabe into...

Author: /time Magazine | Title: Art: The Year of Manabu Mabe | 11/2/1959 | See Source »

Nearly everywhere, differences between the University's stated policy and actual practice--a perpetual falling-short, a hypocrisy of ideals--become evident. The Deans paint a picture of a system of campus life that seems both infallible and utopian, but harsh reality reveals an embarrassing similarity between Penn's methods of guaranteeing the right kind of environment and the technique used in the more successful Eastern finishing schools...

Author: By Michael S. Lottman, | Title: Pennsylvania Balances Actuality Against Hope of Valued Learning | 10/30/1959 | See Source »

...Feminine Touch. To keep the peace, the Belgians packed Kalondji off to jail, but they could not hold him long. When he was released last month, the Lulua howled in rage. Last week they sought revenge. Smeared with war paint, Lulua warriors began by burning two Baluba villages to the ground and killing their inhabitants with spears and homemade muzzle-loading rifles. In the suburbs of Luluabourg, naked Lulua women swarmed through the streets screaming to their men to kill, kill, kill. Like a grass fire, murder and mutilation swept over an area of 40 miles until the number...

Author: /time Magazine | Title: THE BELGIAN CONGO: Sounds of the Future | 10/26/1959 | See Source »

Changed Scene. Outstanding among the young realists is 31-year-old John Bratby (TIME, March 12, 1956), who was called in to paint Gulley Jimson's big-footed canvases in the film version of Joyce Gary's The Horse's Mouth. "It's illogical and mad," Bratby confessed afterwards, "and springs from God knows where, but when the spotlight's on me, I feel enormously encouraged." Last week the spotlight was on Bratby again, with a show in London's Zwemmer Gallery of 28 new oils, turned out at a stupendous clip...

Author: /time Magazine | Title: Art: Sink & Swim | 10/26/1959 | See Source »

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