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Word: paintings (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Lost in the Stars, as many of you may know, is based on Cry, the Beloved Country, the recent best-seller about white-Negro tension in South Africa. The TIME account was of a touring exhibition of South African paintings and sculpture at the National Gallery in Washington. Conspicuous in the show, said TIME'S Editors, were the vivid works of G. Sekoto, the only Negro artist included, who had taught himself to paint in Johannesburg, then left his native land to study in Paris, only to find poverty and despair, to attempt suicide and to be committed...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 24, 1949 | 10/24/1949 | See Source »

Scattered interviews around the Square last night showed that Radcliffe girls took the news with a "Well, why shouldn't we" attitude, while their Harvard dates bristled with shocked indignation. One Leverett man even described the candy coated paint as "facial falsies...

Author: NO WRITER ATTRIBUTED | Title: More Meets Mouth Than Meets Eye | 10/17/1949 | See Source »

...Unorganized were a motley bunch of free-lancers. There were graduate students pursuing material for these more ordinary tourists laden with guide-books, artists bound for Florence to paint, and bon-vivants looking for eligible game. A few forlorn newly-weds mourned their interrupted honeymoons--the 100-bunk dormitories were, needless to say, not coeducational...

Author: By Maxwell E. Foster jr., | Title: Thousands of US Students Migrate To Europe for Summer Study, Play | 10/13/1949 | See Source »

...turtle now practices nightly under the tutelage of Registrar clerks Shirley Dixon and Lois Bickford, who discovered him in Maine two months ago. The trainers and now at work peeling his paint so he can swim the Channel nude...

Author: NO WRITER ATTRIBUTED | Title: English Channel Duck Soup For University Hall's Turtle | 10/7/1949 | See Source »

Unlike the egg and potato surpluses, which have been problems for years, the flaxseed surplus is a new monster of the department's own making. U.S. paint manufacturers, big users of linseed oil (crushed from flaxseed), were being gouged by Argentine suppliers at the end of World War II. So the department encouraged domestic production by pegging the price of flaxseed at $6 a bushel. The encouraged farmers raised so much flaxseed that the market collapsed. CCC loss to date on flaxseed and linseed oil: $73 million...

Author: /time Magazine | Title: AGRICULTURE: Wild Harvest | 10/3/1949 | See Source »

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