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Word: painting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...infest a 50-acre residential section of North Miami; more have been spotted in Hollywood ten miles to the north. Tough, ravenous creatures, whose original home is East Africa, they have chewed up large stretches of grass, stripped the bark off trees, feasted on citrus plants and even devoured paint off buildings-a handy source of calcium for snails' shells...

Author: /time Magazine | Title: Environment: Tale of a Snail | 10/17/1969 | See Source »

Shirley Bassey and Oliver will sing, Woody Allen will be funny, and Lee Marvin will scowl his way through a song from Paint Your Wagon...

Author: /time Magazine | Title: Television: Oct. 10, 1969 | 10/10/1969 | See Source »

...dead things to life." His sculptures of food, for example. Typical, terrible American cuisine fascinates him, the kinds of things dieters like Oldenburg himself try to avoid: a wedge of pecan pie, a banana sundae, racks of assorted pastry, ice cream, cheeseburgers. Made of plaster, slathered with lush enamel paint, these goodies actually seem ready for the consumer's fork and spoon. But like four-color advertisements of food, they are designed more to entice than to be eaten. An Oldenburg baked potato nonetheless looks hot, smoky, delicious -with butter melting over the white insides. Yet visually...

Author: /time Magazine | Title: Art: The Venerability of Pop | 10/10/1969 | See Source »

...first "happenings." Soon Oldenburg was staging happenings too, and got married to a pretty artists' model, Pat Muschinski. The world of objects-food, toys, bric-a-brac-blazed all around him ia neighborhood stores. Claes started to reproduce them in burlap or muslin dipped in plaster and painted with all the romantic energy of Abstract Expressionism. "I wanted to extend color to three-dimensioned form," he says, "to make paint tangible and edible...

Author: /time Magazine | Title: Art: The Venerability of Pop | 10/10/1969 | See Source »

Soft Drum. The glory of vinyl struck Oldenburg in 1963. It was an ideal substitute for the hard plaster and enamel paint he had been using-and it was soft as skin. "It works by itself, takes different positions. I established guidelines, but the pieces must be arranged by others or it arranges itself." Oldenburg's Soft Drum Set takes an object specifically noted for its tautness and its sharp staccato clatter and expresses it as a chaos of relaxation. The Drum Set looks more like man's viscera than his toy (another example of a body image...

Author: /time Magazine | Title: Art: The Venerability of Pop | 10/10/1969 | See Source »

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