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Just as the camera reveals that Kirk is sitting on a cheap lawn-chair and not a log or a bench, a plane roars overhead, bringing home the point that this movie is not afraid of trading in subtlety for loud, obvious humor. In fact, the opening scene couldn’t fit the film itself more perfectly. Like Kirk’s billboard, the film sets audiences up for a promising scene, then pulls back to reveal the seams...

Author: By Devon M. Newhouse, CONTRIBUTING WRITER | Title: She’s Out of My League | 3/23/2010 | See Source »

...most puzzling aspects of the film is the fact that Fuqua never makes effective use of the film’s actual New York location, excluding several overhead shots of the projects. In fact, the only neighborhood in Brooklyn mentioned in the entire film is Bedford-Stuyvesant, and that is only in passing. On top of using essentially stock characters in the script, Fuqua does nothing to give the film any legitimate New York feel...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Brooklyn's Finest | 3/9/2010 | See Source »

Many developers have already slashed prices and chopped overhead, leaving little room for further cutting, notes Bob Curran, a managing director at Fitch Ratings. "It comes down to how desperate the builders and developers are to do something like this - to take 20% off the top - when many have already cut things to the bone," he says...

Author: /time Magazine | Title: A Guarantee Against Losing Cash on Homes? | 3/4/2010 | See Source »

...fair chance: I’ve been there many times before. Rubin and I have played basketball in the gym, seen Nas perform on the same court later that night. They have frat parties that spill happily from upstairs bedrooms to basement dance floors where water pipes slither overhead. Rubin has already reserved my ticket for Pachanga, the greatest dance party of the year—a student newspaper editorial calls it “moderated madness” and likens it to tribal rituals. But often we sit in his below-ground room and turn the lights...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Brandeis | 2/18/2010 | See Source »

Sloane Square is a neatly laid out quadrangle in London’s borough of Kensington and Chelsea. Quiet streets are lined with high fashion labels, and carefully plotted plane trees provide shade and leafy overhead. Hardly, in other words, the place for revolution. It takes some imagination to think that it was here where John Osborne’s “Look Back in Anger” premiered in 1956. Osborne’s play took a harshly realistic look at working class life, marking him as one of several British playwrights and novelists in the late...

Author: By Jessica A. Sequeira | Title: Angry Men | 2/18/2010 | See Source »

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