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...Mozart: Perspectives on Historiography, Perspectives, Composition and Performance. This joint exhibition features original sheet music from the pillars of classical music, as well as an original watercolor painting by Mozart of…an ear. Houghton and Loeb Music Libraries. Free. Through Dec. 23. (KAK)Paul Robeson as Othello. As the first African-American actor to take the role of Othello in over a century, Paul Robeson won a twenty-minute standing ovation and made his 1943 Broadway show “the most important Shakespearean production of the century,” according to Frank Wilson, the curator...

Author: NO WRITER ATTRIBUTED | Title: Happening 10/28 - 11/3 | 10/27/2005 | See Source »

...Paul Robeson as Othello” exhibit, opening Wednesday in the Harvard Theater Collection of Pusey Library, includes photographs and documents that demonstrate why some people believe that Robeson’s Othello was “the most important Shakespearean production of the century,” according to Harvard Theater Collection curator Fredric W. Wilson...

Author: NO WRITER ATTRIBUTED | Title: Fall Arts Preview: Art Listings | 9/30/2005 | See Source »

Before Robeson, while it was not uncommon for black actors to perform on Broadway, in America, the role of Othello had to be played by white actors in makeup. It was inconceivable that a black man could marry a white woman and kiss her onstage, even in a Shakespearean play. But as Robeson’s Othello toured the nation, playing to packed theatres in every city and amassing huge box office profits, audiences gradually became accustomed to the notion of the mixed-race pairing...

Author: NO WRITER ATTRIBUTED | Title: Fall Arts Preview: Art Listings | 9/30/2005 | See Source »

Robeson’s famous portrayal of Othello, Wilson says, also “turned the tide” for the role artistically, and it began to be unthinkable to have a white actor play the role...

Author: NO WRITER ATTRIBUTED | Title: Fall Arts Preview: Art Listings | 9/30/2005 | See Source »

...President of Baylor University in Waco, Texas, informs Othello’s artistic company that the audience of the play would have to be segregated according to Texas’s Jim Crow laws. The production’s artistic company refused to perform before segregated audiences, and so Othello did not tour Baylor University, or, in fact, any Southern city. Even in Northern cities, segregation was such a fact of life that Robeson, although a national star, had trouble finding hotel accommodations in some cities...

Author: NO WRITER ATTRIBUTED | Title: Fall Arts Preview: Art Listings | 9/30/2005 | See Source »

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