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...nothing in either Berlin could quite compare with the Komische Oper, perhaps the world's best lyric opera company and East Berlin's finest cultural ornament. In an atmosphere where the culture bullets really sting, the East's operatic triumph had one touch of irony: Walter Felsenstein, the Komische Oper's founder and director, is an Austrian who lives in West Berlin...

Author: /time Magazine | Title: Opera: Midas Across the Wall | 10/18/1963 | See Source »

Glamorous Maria Callas, 39-long the favorite diva of Greek Shipping Tycoon Aristotle Onassis-stepped onstage at Berlin's Deutsche Oper, and her audience succumbed to love at first sight. Not so German critics, who ungallantly complained about the sound. "The passion has disappeared," said Die Welt's man on the aisle. "One gets the impression she has bidden farewell to art." Groaned another...

Author: /time Magazine | Title: People: May 31, 1963 | 5/31/1963 | See Source »

...lights came up on the curtainless stage of East Berlin's Komische Oper last week, and there, pregnant with portents of disaster, hung a textured moon that looked like a fly's swollen eye. A shock. When John the Baptist was pulled barefoot from his cistern prison, his long matted hair hung down to his animal skin sarong. Another shock. Then came Salome with her veils and her dances, and in a spirit perfectly suggested by the jewel stuck in her navel, she treated an earnest audience to a performance of Strauss's shocker that came straight...

Author: /time Magazine | Title: Opera: Last Week, East Berlin | 5/17/1963 | See Source »

...text was by England's great World War I poet, Wilfred Owen, who was killed in France a week before the Armistice. The music was by Benjamin Britten, a passionate pacifist and conscientious objector during World War II. After the chorus in West Berlin's Deutsche Oper had chanted the final line of Britten's War Requiem, the stunned audience sat in utter silence. Then came volleys of applause. Britten's nonliturgical Mass is fast taking its place as one of the rare modern masterworks for the voice...

Author: /time Magazine | Title: Music: Modern Masterwork | 11/30/1962 | See Source »

Like many another East Berliner, famed Komische Oper Set Designer Rudolf Heinrich, 35, and his wife, Coloratura Joan Heinrich, 32, were worried by the rising of the Wall. They thought about fleeing to the West, but there was a lot to keep them in the East. There was Rudolf's politically favored position as star set designer of the Communists' showcase opera house; there was Joan's promising career as one of the house's new but favored singers. Then the Heinrichs heard a rumor that all foreigners in East Berlin would have to surrender their...

Author: /time Magazine | Title: Music: Lulu from East Berlin | 2/9/1962 | See Source »

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