Word: o
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Dates: during 1960-1969
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...sought a larger role in shaping church policy had better be prepared to share that power with priests and laity at home. Last week, as 221 members of the U.S. Conference of Catholic Bishops met in Washington's Statler-Hilton Hotel, that prophecy proved correct. The Rev. Patrick O'Malley, 37, moderate president of the National Federation of Priests' Councils representing some 35,000 of the nation's 58,000 Catholic priests, proposed that the bishops turn over most of their conference's responsibilities to a national policy-making board composed of bishops, priests...
...Demands. O'Malley was perhaps the mildest critic the bishops heard all week. Outside the closed-door sessions, leaders of ten dissident Catholic organizations, both clerical and lay, joined together in a loose coalition to present the bishops with a "People's Agenda," a grab bag of 41 wildly varied demands for church and social reform. Among them: that the church allot a regular tithe to blacks; back immediate withdrawal from Viet Nam; set up a draft-counseling program; develop family-planning programs; re-examine Catholic teaching on divorce; phase out parochial schools; endorse optional celibacy and female...
Almost by definition, the several segments of an "anthology" film are forced to huddle under a thematic umbrella. Most often, the umbrella is a single author, as in O. Henry's Full House, or Somerset Maugham's Quartet, Trio and Encore. Or Truman Capote's Trilogy. In Capote's case, the effect is magnified by Director Frank Perry (Last Summer), working from scenarios by his wife Eleanor in collaboration with the author...
Among the Paths to Eden, by contrast, makes much of its plainness. A widower, Ivor Belli (Martin Balsam), brings flowers to his wife's grave. Tending her father's nearby tombstone, Mary O'Meaghan (Maureen Stapleton) strikes up a conversation. Within moments, it is obvious that the meeting was no accident-the female mourner has been haunting the cemetery because it is a convenient place to meet unattached men. When Belli confesses that he has a mistress, Mary O'Meaghan bids him polite farewell-and pursues another widower taking another path to his wife...
...most seasoned professionals in show business; both listen and react with a skill that lends the slender script warmth and pathos. They receive scant help from the Perrys. In the original story, Belli, despite his name, is Jewish. Here he is simply "Russian." In the story, Miss O'Meaghan sits atop a gravestone and imitates Helen Morgan singing Don't Ever Leave Me-and is interrupted by a file of shocked Negro mourners. Here she is given a bland song (lyrics supplied by Eleanor Perry because rights to the original were prohibitively expensive) and is interrupted by shocked...