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Many people on the inside knew, as they have known about the homosexuality of other stars, from Ramon Novarro, one of the great Latin lovers of the silentfilm era, to Montgomery Clift, Tyrone Power, Errol Flynn, Sal Mineo and several of today's leading men. In one sense, the dilemma of gays is no different in show business than it is in any other business. Many are afraid, usually with justification, that acknowledgment of their private lives will damage and perhaps ruin their careers, whether they work at MGM or General Motors...

Author: /time Magazine | Title: Medicine: Rock: A Courageous Disclosure | 4/12/2005 | See Source »

...veil of secrecy. Haines knew everyone (and seems to have had affairs with many of them). Through his eyes, as reconstructed by Mann, we see the increasingly hidden world of early gay Hollywood: the actors--Cary Grant and Randolph Scott, Claudette Colbert and Marlene Dietrich, Greta Garbo and Ramon Novarro--and the people behind the scenes, such as director George Cukor and jet-setting composer Cole Porter, the two focal points of gay male Hollywood society in the 1930s...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Bio of Gay Actor Gives Rich Portrait of '20s Hollywood | 3/20/1998 | See Source »

...days things were almost better. Compared with Hollywood's caricaturing of other minorities, the industry's treatment of Hispanics was benign. In the silent era of the Latin lover, actors named Ricardo Cortez, Antonio Moreno and Ramon Novarro all wooed Garbo on screen. In the '30s and '40s, Hollywood called on Cesar Romero, Gilbert Roland or Ricardo Montalban for Continental elegance and rewarded them with careers as durable as Corinthian leather. Even those two camp goddesses of the '40s, Carmen Miranda and Maria Montez, did not wallow in the spitfire stereotype so much as they exploded it, with...

Author: /time Magazine | Title: Cinema: Born In East L.A. | 7/11/1988 | See Source »

...island.' " The White Album is full of the bizarre details, the eye for blinding weirdness, that made Slouching Towards Bethlehem one of the purest leftover artifacts of the '60s. Didion again collects clippings of American death trips: the brothers who bludgeoned Ramon Novarro, for example; and the 26-year-old woman who put her five-year-old daughter out to die on the center divider of Interstate 5 some miles south of the last Bakersfield exit; the child's fingers had to be pried loose from the Cyclone fence when she was rescued twelve hours later...

Author: /time Magazine | Title: Books: American Death Trips | 8/20/1979 | See Source »

...company's repertory is tied, perhaps too closely, to relatively recent aspects of Mexican culture, notably the 19th century mariachi music of the French-Spanish upper class. Some of the numbers look to those with long memories, a little like the big musical bit just before, say, Ramon Novarro and Dolores del Rio could have met by moonlight in some hypothetical Latin extravaganza. Far more striking are the pieces in which Choreographer Hernandez has reconstructed, mostly out of ancient manuscripts and drawings, something resembling the ritualistic processions and dances of Mexico's Indian prehistory...

Author: /time Magazine | Title: Folk Ballet: High-Class Hybrids | 4/4/1969 | See Source »

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