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Word: nostalgia (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...certainly no music -- has been since. Rock was always a music of turbulence, and history, for a while there, caught the beat. Woodstock was a dodge, a growth industry that tie-dyed much that was fierce and righteous in the music into something stuporous and evasive. The seeds of nostalgia were planted in those sodden, trodden New York State fields before the festival was over. Memories were rolled like joints. Smoke...

Author: /time Magazine | Title: The Rolling Stones: Roll Them Bones | 9/4/1989 | See Source »

...Nostalgia was the only dirty word in the rock vocabulary. This music had never looked back before. But history could walk away from rock once it had been put snugly into that Woodstock pasture. Rock reacted by turning inward, to the softer personal speculations of the '70s singer-songwriters, then reacted again, first by exploding (punk), then by chilling out into the cerebrations of the New Wave bands like the Talking Heads and the slick, slightly spooky amusement-park soul of Michael Jackson...

Author: /time Magazine | Title: The Rolling Stones: Roll Them Bones | 9/4/1989 | See Source »

THIS week has seen an orgy of Woodstock nostalgia. The three-day-long music festival that ended 20 years ago today was the last major event of the 1960s, and it supposedly defined a generation...

Author: By Joseph R. Palmore, | Title: Fantasies of a Generation That Can't Forget Its Past | 8/18/1989 | See Source »

...This is nostalgia with the blinkers off. It understands that in family life everything is complicated, even a grown child's hatred for the ogre who sired him. The father here (Pete Postlethwaite) is a man capable of tenderness but more comfortable as the patriarchal tyrant. He refuses to share a drink with his son (Dean Williams) or a farewell with his daughter Eileen (Angela Walsh). He beats daughter Maisie (Lorraine Ashbourne) for wanting to go to a dance, and flogs his wife (Freda Dowie), stifling even her sobs with barked threats to "Shut up!" It is a brutality...

Author: /time Magazine | Title: Cinema: Family Ties | 8/14/1989 | See Source »

...album in 1982. I Can't Stand Still sold well, but nowhere near what it deserved to. It was a superb album, yet the solid commercial breakthrough would come with his second release, Building the Perfect Beast. Its keynote single, The Boys of Summer, a romantic song full of nostalgia and vitriol, won Henley a Grammy. Now Henley is closing out the '80s with a splendid third album, The End of the Innocence, which will shoo him into the new decade as one of the fleetest talents around. Not bad for 42 and for a guy people still mistake...

Author: /time Magazine | Title: Music: Building On Prime Real Estate | 7/31/1989 | See Source »

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