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Portrait of a Marriage, Nigel Nicolson's bestselling immorality tale about his mother's lesbian affairs and his father's homosexual proclivities, schooled American readers in the eccentric love lives of the English aristocracy. Nicolson's mother, Vita Sackville-West, belonged to one of England's most venerable families; Knole, their fabled ancestral home, sheltered the sort of elaborate sexual and emotional transactions fashionable among the Bloomsbury set. But the Victorian era boasted its own dramas of unlikely passion: Vita's mother, Lady Victoria Sackville, was herself the illegitimate daughter of a Spanish dancer...

Author: /time Magazine | Title: Books: Victoriana | 10/9/1978 | See Source »

Edited by NIGEL NICOLSON and JOANNE TRAUTMANN 627 pages. Harcourt Brace Jovanovich...

Author: /time Magazine | Title: Books: Are You There? | 11/29/1976 | See Source »

...part of her professional discipline, Woolf began and sustained a writer's diary, brushed up on her Latin, and undertook to learn Russian. For recreation this intensely introspective yet active woman walked, skated and rode horseback. She managed a town and a country house and, in Nigel Nicolson's phrase, led a "scintillating social life." When she had nothing else to do, she typed manuscripts for her friend Lytton Strachey (Eminent Victorians) or scurried to raise a fund of ?500 a year to free T.S. Eliot from his job at the bank. Despite this hectic, variegated life...

Author: /time Magazine | Title: Books: Are You There? | 11/29/1976 | See Source »

...George Weidenfeld, chairman of Weidenfeld and Nicolson, publishers: a life peerage. A Viennese-born, onetime BBC news commentator, Weidenfeld had earlier been knighted at Wilson's request in 1969, and is the publisher of Wilson's memoirs...

Author: /time Magazine | Title: BRITAIN: Harold and Sir Jimmy | 6/7/1976 | See Source »

...written. She moves easily from one detail to the next, with no connection except an ampersand (which the editors wisely eliminated in favor of the less obtrusive "and"). Like her handwriting (which was wretched) her style was completely unstudied. It was simply the way the words came out. Nicolson, who heard her speak when he was a child, says the letters give quite an accurate representation of her conversation. One reason she charted the vicissitudes of character in her novels was that her style was flexible enough to do so. By the end of this volume of her letters...

Author: By John Sedgwick, | Title: A Painter at Her Easel | 4/13/1976 | See Source »

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