Word: neapolitan
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...introduces the postman (Troisi) to the verbal rapture of metaphors; aids him in winning over the sultry, feral Beatrice (Maria Grazia Cucinotta); then abandons Mario to return home. But the film's true poetry is in Troisi's face--gaunt and ethereal, like that of a Jesus in a Neapolitan pageant. The audience needs no subtitles to read the feelings in this man's brave, troubled heart...
...where Poussin spent most of his life. Born in Normandy in 1594 (his father was a military officer, his mother an alderman's daughter), he was educated, probably by Jesuits, in Paris, and turned to painting before he was 20. A chance encounter with Giambattista Marino, the floridly precious Neapolitan poet who had taken political asylum at the Paris court of Marie de Medicis, led to introductions in Rome, and he went there in 1624. From then until his death in 1665, Poussin returned to France only once, for a brief two years (1640-42), during which Louis XIII tried...
...Biennale is the world's oldest modern art festival, dating back to 1895. Every two years a commissioner is appointed to oversee its structure and content. This year the task fell to a Neapolitan art critic named Achille Bonito Oliva. Bonito Oliva is a mini-celebrity in Italy, an imbonitore, or bustling promoter, of groups and movements, who gave the '80s its silliest piece of art jargon, "la transavanguardia," the "trans-avant-garde." He wanted to create a Biennale that would transcend national differences and illustrate "cultural nomadism." To put it charitably, his talents are not up to the task...
Jusepe de Ribera was the star of Neapolitan painting...
...lies outside Spain. He emigrated to Italy, that artistic magnet of the 17th century, when he was hardly out of his teens and spent most of his life in Spanish-ruled Naples, doing commissions for the Italian church and expatriate Spanish grandees. He rapidly became the unchallenged star of Neapolitan painting and remained so until his death in 1652. Until recently, his art stayed in a sort of limbo; very few visitors to the Prado would ever turn out of the traffic stream headed for Velazquez to take a good look at the great Riberas, like The Martyrdom of Saint...