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...lacks a single full-time tenured faculty member who is wholly within Afro. Ewart Guinier '33, professor of Afro-American Studies, is presently semi-retired and teaches only during one semester of each academic year. Southern holds tenure in the Music Department as well as Afro; she is a musicologist by training, and she was nominated by the Music Department for a joint appointment in Afro. The April 22, 1969, Faculty vote that established the department called for the tenuring of two full-time faculty members in Afro. The 1972 McCree Report on the department recommended the appointment of four...

Author: By Joseph L. Contreras, | Title: A department with no professors | 6/16/1977 | See Source »

...decreed for Mozart by Glyndebourne's first conductor, Fritz Busch, sound inevitable today: original languages, a minimum of bel canto fireworks and intimate orchestration as Mozart scored it. Venetian operas now returning to the international repertory were first revived here only a decade ago under the direction of Musicologist Raymond Leppard. Glyndebourne's current showpieces are the neglected conversational operas of Richard Strauss, Capriccio and Intermezzo. They were staged for the lustrous Swedish Soprano Elisabeth Soderstrom under Administrator Moran Caplat's dictum of "hiring people we know and exploiting them at what they want...

Author: /time Magazine | Title: Music: Opera in the Countryside | 6/28/1976 | See Source »

...evening began with a joke. Seven members of the orchestra played the Schleptet in E flat, S.O., by musicologist Peter Schickele, more familiarly known as P.D.Q. Bach (1807 -- 1742), the last and the least of Johann Sebastian's sons. Satirizing serious music, the Schleptet demands a wide range of comic effects, including a nose-dive by the French horn player, which sends fragments of a collapsible horn sailing across the stage into the audience, and woodwind burps usually reserved for a beginner's practice room...

Author: By Audrey H. Ingber, | Title: All's Well That Ends Well | 5/4/1976 | See Source »

...ever a score deserved that adjective without qualification, it is K. 427. Composed in 1782-83, its style looks backward to the cantata-type Mass of Bach's day, but its expressiveness and symphonic drive anticipate Beethoven and the romantic era. The performance, led by Conductor-Musicologist Leppard, would be worth having at any price. Offered on Angel's low-priced Seraphim line, it is not to be missed...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

...listeners got a rare chance to hear Franz's Piano Concerto No. 2 in E Flat, Op. 25. The soloist was the eminent Gary Graffman, that master of diverse styles for whom the score was reconstructed and edited from the original edition by the New York composer and musicologist Douglas Townsend...

Author: /time Magazine | Title: Music: The Giant's Son | 9/2/1974 | See Source »

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