Word: much
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Dates: during 1980-1989
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...Bushwacked Piano or Ninety-Two in the Shade. Not all McGuane fans have stayed for the ride. "There are readers who abandoned me over the feeling that my writing has become relatively lusterless," he observes. "But your literary style is kind of like your face -- you can't do much to change it. I just hope that you can look at a shelf of my books and say, 'This is a 40-year struggle to understand the human race...
During dinner, McGuane sips nonalcoholic beer and talks about an upcoming cutting-horse competition in Billings. Cutting, a highly stylized ritual in which a horse and rider "work" a cow in much the same way a defensive guard tries to block a basketball, is a dear topic for the McGuanes. They also happen to be formidably good at it. Laurie is Montana's defending cutting- horse champion, Tom was No. 1 the year before, and the two are the leading contenders for the 1989 trophy. "We take turns," Laurie laughs...
McGuane is alert to revealing parallels between the art of cutting cattle and the craft of writing novels. "You cannot work cattle by force," he explains. "A cutting horse separates a cow from the herd through a kind of choreographic countermovement. It's very much like fiction: you can't sit down and say, 'Goddammit, I'm going to blast out these sentences and send them to the publisher' -- this kind of John Wayneism of literature. You just can't." He finds the notion of a so-called Rocky Mountain school of literature equally specious. Still, he admits that "there...
Christian Okoye had never seen an American football game before 1982. When he did see one, he didn't much like it. The elongated shape of the ball seemed peculiar. He found the repeated stops and starts boring and confusing. Worse, he felt the frequent substitutions from the sidelines robbed the game of the natural flow that is the glory of soccer, his consuming passion since grade school...
Industry and financial experts could only conclude that the problem lay with the company's founders, brothers Charles and Maurice Saatchi. Over the past four years, both men have increasingly withdrawn from the firm's day-to-day * oversight. Charles, 46, has spent much of his time becoming one of the world's most voracious art collectors, sometimes buying entire exhibitions at a single gulp. Now he is unloading scores of works at the hyperprices his frenetic buying helped create. Maurice, 43, though not as aloof as his sibling, spends less and less time with Saatchi & Saatchi employees and clients...